Results 41 to 50 of about 4,587 (190)

“Wolfgang Amadeus Mozart’s Piano Concertos in the Context of Genre Development”

open access: yesHighlights in Art and Design
Aim of study is to consider Wolfgang Amadeus Mozart’s piano concertos in the context of genre development. To achieve this aim, the following objectives defined: 1) to trace concerto origins; 2) to identify solo concerto origins; 3) to reveal the ...
Le An
semanticscholar   +1 more source

Hierarchische und dynamische Einheit. Kontext-Eigenschaften und ›metrische Pfade‹ als Kategorien der Syntaxanalyse bei Mozart [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2015
Die Einheit einer Komposition oder eines Formabschnitts gründet nach Theorien wie derjenigen von Heinrich Schenker darauf, dass sich die erklingenden Ereignisse auf Strukturen beziehen und diese Strukturen wiederum als Teilmomente eines hierarchischen ...
Michael Polth
doaj   +1 more source

Song Creativity as Communicative Insight into the Era: An Example of the Evolution and Influence of Wolfgang Amadeus Mozart’s Vocal Legacy in European Musical Tradition

open access: yesNATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD
The purpose of this study is a comprehensive examination of Wolfgang Amadeus Mozart’s song creativity as a key communicative component of the era, focusing on its innovative essence and style genesis.
Liting Guo
semanticscholar   +1 more source

The phantom of the opera: Mozart's Zaide on stage

open access: yesСовременные проблемы музыкознания, 2021
Taking as a starting point Nicholas Cook’s idea of studying music in its “multiple cultural context, embracing production, performance, reception, and all the other activities by virtue of which music is constructed as a significant cultural ...
Karina I. Zybina
doaj   +1 more source

Wolfgang Amadeus Mozart: the Composer’s First Steps

open access: yesRussian Musicology
The article is based on the materials of the authors’ monograph’s Motsart i ego vremya [Mozart and His Time] (Moscow: Klassika-XXI, 2015). At the focus of the authors’ attention are the questions of the creative evolution of the genius at the earliest ...
Irina P. Susidko, Pavel V. Lutsker
semanticscholar   +1 more source

1777-1778, nueva conciencia de la fe en Wolfgang Amadeus Mozart

open access: yesCuestiones Teológicas, 2020
El año de 1777 fue el más significativo para Wolfgang Amadeus Mozart, quien fuera educado en la tradición católica de Salzburgo; ese año crea una conciencia distinta de la fe cristiana tradicional y devota.
Álvaro Gabriel Díaz Rodríguez
doaj  

UNDEFEATED “DON GIOVANNI” BY WOLFGANG AMADEUS MOZART ON ODESSA STAGE, OR PRANK FOR THE MOB

open access: yesДокса, 2015
The article discusses the various aspects of freedom of interpretation in the artwork. The new version of Mozart’s “Don Giovanni” in The Odessa National Academic Theatre of Opera and Ballet by the stage director Yuri Alexandrov became the subject of the ...
Неллі Іванова-Георгієвська
doaj   +1 more source

Questões filosóficas e ludicidade em uma leitura da ópera A Flauta Mágica de W. A. Mozart: Aspectos performáticos

open access: yesRevista da Tulha
Este trabalho constitui um relato de pesquisa-ação em ciências da performance na área operística que discute questões relacionadas à filosofia e ludicidade em uma produção completa da ópera A Flauta Mágica de Wolfgang Amadeus Mozart realizada em ...
Rodolfo García Vázquez   +1 more
doaj   +1 more source

“The Bravo Boys” Band versus Mozart: the Issue of Cultural Message in Contemporary German Language Textbooks

open access: yesRespectus Philologicus, 2020
Wolfgang Amadeus Mozart had to give way to The Bravo Boys music band. This is what the authors of the textbook entitled Ping Pong 1 and Ping Pong neu 2 have decided to do in the current edition of their book.
Beata Głowińska
doaj   +1 more source

Literatura sacra en la música sacra de W. A. Mozart (el latín, el griego y el hebreo en su música)

open access: yesKáñina, 2006
El presente ensayo, formado por tres partes, se concentra en dos disciplinas académicas: la musicología y la filología;su propósito surge en relación con el 250 aniversario del nacimiento del genio de la música Wolfgang Amadeus Mozart (1756-1791).
Manuel Antonio Quirós Rodríguez
doaj  

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