Results 41 to 50 of about 640,666 (212)
Die Zauberflöte : tradition et reflets
Cahiers d’Études Germaniques, 2017 Several musicologists have revealed the symbolism inherent in the composition of the Zauberflöte (1791). This article instead deciphers the opera’s libretto from the perspective of elements it borrowed from Egyptian culture, as well as its use of copied,
Manuel Durand-Barthez
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Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
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Mozarts musikaliska retorik: en studie av musikaliskt avbildande element i Mozarts operor
Sjuttonhundratal, 2011 This article investigates and describes the components of Wolfgang Amadeus Mozart's musical rhetoric as they are visible in his operas from Zaide (1780) to Die Zauberflöte (1791).
Marianne Tråvén
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"GESANG DER GEHARNISCHTEN MÄNNER" AUS DER OPER "DIE ZAUBERFLÖTE" VON WOLFGANG AMADEUS MOZART, ABSCHR. DURCH GUGLER (?) "Gesang der geharnischten Männer" aus der Oper "Die Zauberflöte" von Wolfgang Amadeus Mozart, Abschr.
Mozart, Wolfgang Amadeus
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Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2018 The article is devoted to the psychological and cognitive problem of “stalled ambitions” on the example of Mozart-son. The research relevance of Franz Xaver Mozart is due to the further study of his activities spheres in Lviv, as well as respond to ...
Adelina Yefimenko
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"Carta a un tal barón von…” de W. A. Mozart sobre el proceso creativo
Anales del Instituto de Investigaciones Estéticas, 2017 El artículo trata sobre la concepción romántica del “genio creador”, mediante el análisis de una carta atribuida a Wolfgang Amadeus Mozart, escrita en 1791.
Arturo García Gómez
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Anthropological ReviewWolfgang Amadeus Mozart (1756–1791) is considered as one of the greatest composers of the Classical Period of music (ca. 1750–1820). Gifted with an unparalleled precocity, which allowed him to play and compose at the highest levels from a very young age,
Cicero Moraes +6 more
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„Taten und Leiden unseres Lichts“. Ernst Blochs Aufsatz „Die Zauberflöte und Symbole von heute“ (1930) im Kontext [PDF]
Conflict & Communication Online, 2021 Zur Frage von Kunst, Bildung und Politik und den aktualisierbaren Dimensionen von Ernst Blochs Œuvre unternimmt der Beitrag eine Lektüre von Blochs wenig beachtetem Text „Die Zauberflöte und Symbole von heute“ (1930).
Werner Michler
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Grenek: Jurnal Seni Musik, 2018 This study aims to analyze, Technique of Singing Diana Damrau oin Opera The Magic Flute Aria Queen Of The Night Works Wolfgang Amadeus Mozart. The purpose of this research is to know Technique of Singing, how to interpret and artistic overall Diana ...
DEDI BENSAMAS LUMBAN GAOL
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Literatura sacra en la música sacra de W. A. Mozart (el latín, el griego y el hebreo en su música)
Káñina, 2006 El presente ensayo, formado por tres partes, se concentra en dos disciplinas académicas: la musicología y la filología;su propósito surge en relación con el 250 aniversario del nacimiento del genio de la música Wolfgang Amadeus Mozart (1756-1791).
Manuel Antonio Quirós Rodríguez
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