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Journal of Literacy Research, 1999
When we write literary texts such as fiction, poetry, autobiography, or memoir, we initiate performances of meaning that subjunctivize reality. Because the subjunctive traffics in human possibilities rather than settled certainties (Bruner, 1986), writing becomes a site of possibility, an “as if” that works in multiple ways with, through, and beyond ...
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When we write literary texts such as fiction, poetry, autobiography, or memoir, we initiate performances of meaning that subjunctivize reality. Because the subjunctive traffics in human possibilities rather than settled certainties (Bruner, 1986), writing becomes a site of possibility, an “as if” that works in multiple ways with, through, and beyond ...
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Abstract An increasing number of women playwrights in the twenty-first century have represented women’s experience in Ireland’s repressive past and its changing present, while also exploring the legacy of centuries of patriarchal dominance.
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2012
Women’s writing spans the periods, concerns, genres, languages and media addressed in this collection. The purpose of this chapter is not so much to provide a detailed overview of women’s writing in South Africa – an impossible task within the space constraints – as to sketch out landmark publications, attending to the emergence of the female autograph
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Women’s writing spans the periods, concerns, genres, languages and media addressed in this collection. The purpose of this chapter is not so much to provide a detailed overview of women’s writing in South Africa – an impossible task within the space constraints – as to sketch out landmark publications, attending to the emergence of the female autograph
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2020
Katherine Cooper reveals how contemporary assessments of gender, war and writing are shaped by preconceptions concerning experience and authority. Storm Jameson’s key war novels are at odds with conventional appraisals of war writing, which has contributed to her undeserved critical neglect. Her challenge to such prescribed gender boundaries has led to
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Katherine Cooper reveals how contemporary assessments of gender, war and writing are shaped by preconceptions concerning experience and authority. Storm Jameson’s key war novels are at odds with conventional appraisals of war writing, which has contributed to her undeserved critical neglect. Her challenge to such prescribed gender boundaries has led to
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Angelaki, 2017
The following piece is a summary of a talk given to address the subject of women writing about male protagonists and from a male point of view, arguing that in Gunn’s own work traditional male char...
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The following piece is a summary of a talk given to address the subject of women writing about male protagonists and from a male point of view, arguing that in Gunn’s own work traditional male char...
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Women writing and women written
2002Feminist literary historians have in recent years turned their attention to the early modern period for tracking the emergence of women writers into print and positing a burgeoning market in female literature. An enquiry of this kind must look to the relationship between the terms woman and writer, and consider woman as subject-matter for and in print.
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Women’s Writing and Writing for Women in Croatian Literature of the Nineteenth Century
2001Signs of changing attitudes towards women in Croatian cultural history may be seen in various histories of Croatian literature. The case of the mother of Ljudevit Gaj, the central figure of the Croatian national revival known as ‘the Illyrian Movement’, is symptomatic.
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Women, Travel Writing, and Truth
20141. Introduction Clare Broome Saunders Part I: Boundaries and Instabilities 2. "One Could Never Reckon Up All Her Misstatements!" Lies and Deception in the Life and Texts of Kate Mardsen, Traveller to Siberia in the 1890s Elizabeth Baigent 3. Uncovering Silences: the Elisions in Vita Sackville-West's Passenger to Teheran Mary Henes 4.
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