Gendering translation: the 'female voice' in postcolonial Senegal [PDF]
, 2012 Using observations from translation theorists such as George Steiner, this article questions whether women's education in Senegal and separate male/female pools of communication have resulted in the development of distinct forms of writing.
Collins, G.
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“I Know You Want It”: Teaching the Blurred Lines of Eighteenth-Century Rape Culture
ABO : Interactive Journal for Women in the Arts 1640-1830, 2016 “‘I Know You Want It’: Teaching the Blurred Lines of Eighteenth-Century Rape Culture” is a collaborative pedagogical article that addresses the problem of so-called “post-feminism” in the contemporary college classroom by way of a comparative approach to
Emily J. Dowd-Arrow, Sarah R. Creel
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"I Am not Homer’s Helen" Myths Retold in Amanda Elyot’s The Memoirs of Helen of Troy / "Ben Homeros’un Helen’i Değilim" Amanda Elyot’un Truvalı Helen’in Anılarında Yeniden Anlatılan Mit [PDF]
Folklor/Edebiyat, 2023 The present article examines the representation of female characters in classical Greek myths and the rewriting of the latter from a feminist and feminine perspective.
Salim Kerboua *, Lamia Mechgoug**
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Identity and Intertextuality in Kate Atkinson’s Emotionally Weird
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, 2018 Many women writers employ intertextuality to question gender identity and to produce female characters who are free of the narratives that have proven to be violent, oppressive and not viable for the contemporary female experience.
Hatice Yurttaş
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Alternative genealogies? History and the dilemma of "origin" in two recent novels by Galician women [PDF]
, 2006 The paucity of women novelists and short story writers in Galicia has long been a concern for scholars and readers anxious that women's experiences be part of the national narrative (see, for example, Carré Aldao, Queizán, González Fernández, Hooper ...
Hooper, Kirsty
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Private Life and Collective Experience in Quebec: The Autobiographical Project of France Théoret
Studies in 20th & 21st Century Literature, 1993 In her study of women's autobiographical writing, Carolyn Heilbrun contends that women's authorship has been most hindered by the lack of narrative structures adequate to the telling of women's experience.
Mary Jean Green
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Ar tebeaktualus ir ar tebemoteriškas „moterų rašymas“ | Old and New Ways of Thinking about Women’s Writing [PDF]
Literatūra (Vilnius), 2005 The article is a speculation on whether the category of women’s writing continues to be applicable and/or indeed operative. It is argued that the effectiveness of women’s writing lies in identifiable trends, mutual influences and its particular heritage.
Eglė Kačkutė
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Identity, sex and 'women's writing' in French poststructural feminism [PDF]
Sociologija, 2010 The paper discusses political implications of the feminist revision of psychoanalysis in the works of major representatives of 1970s French poststructuralism, and their current significance.
Sekulić Nada
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Chawton House and its Library: Legacies and Futures
ABO : Interactive Journal for Women in the Arts 1640-1830, 2023 In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection.
Kim Simpson
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‘A revolution in art’: Maria Callcott on Poussin, Painting, and the Primitives
19, 2019 In 1845 the Athenaeum bemoaned the loss to the nation of an ‘exquisite fragment’ by Filippino Lippi: the Angel Adoring once owned by the painter Augustus Wall Callcott and his wife Maria (1785–1842). This early painting, probably bought by Maria herself,
Caroline Palmer
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