Results 21 to 30 of about 91,639 (296)

‘A revolution in art’: Maria Callcott on Poussin, Painting, and the Primitives

open access: yes19, 2019
In 1845 the Athenaeum bemoaned the loss to the nation of an ‘exquisite fragment’ by Filippino Lippi: the Angel Adoring once owned by the painter Augustus Wall Callcott and his wife Maria (1785–1842). This early painting, probably bought by Maria herself,
Caroline Palmer
doaj   +2 more sources

Identity, sex and 'women's writing' in French poststructural feminism [PDF]

open access: yesSociologija, 2010
The paper discusses political implications of the feminist revision of psychoanalysis in the works of major representatives of 1970s French poststructuralism, and their current significance.
Sekulić Nada
doaj   +1 more source

Chawton House and its Library: Legacies and Futures

open access: yesABO : Interactive Journal for Women in the Arts 1640-1830, 2023
In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection.
Kim Simpson
doaj   +1 more source

Women’s Writing from Wales before 1914

open access: yes, 2019
This essay collection rediscovers and reassesses a host of still little-known, pre-1914, Welsh women writers. In the last few decades considerable advances have been made towards rediscovering, contextualising, and analysing women’s writing from Wales.
Aaron, Jane
core   +2 more sources

Elston, Cherilyn. Women’s Writing in Colombia. An Alternative History. Palgrave MacMillan, 2016, 242pp.

open access: yesPerífrasis. Revista de Literatura, Teoría y Crítica, 2020
Reseña de Elston, Cherilyn. Women’s Writing in Colombia. An Alternative History. Palgrave MacMillan, 2016, 242pp.
Catherine Vallejo
doaj   +1 more source

Women's literary history in Ireland : digitizing The Field Day Anthology of Irish Writing

open access: yes, 2017
This article takes as its main focus the current collaboration between JSTOR and Field Day to digitize all five volumes of The Field Day Anthology of Irish Writing (1991–2002) and make these volumes available and searchable within the existing online ...
Jamison, Anne (R17322)
core   +1 more source

Writing for Patronage or Patronage for Writing? Two Case Studies in Seventeenth- Century and Post- Restoration Women's Poetry in Britain [PDF]

open access: yes, 2018
The seventeenth century provided a fertile ground in Britain for anyone who wished to express themselves in writing. London became the locus of an unprecedented printing revolution that carried on until the eighteenth century, when revolutionary writing ...
Font Paz, Carme,
core   +1 more source

“I Know You Want It”: Teaching the Blurred Lines of Eighteenth-Century Rape Culture

open access: yesABO : Interactive Journal for Women in the Arts 1640-1830, 2016
“‘I Know You Want It’: Teaching the Blurred Lines of Eighteenth-Century Rape Culture” is a collaborative pedagogical article that addresses the problem of so-called “post-feminism” in the contemporary college classroom by way of a comparative approach to
Emily J. Dowd-Arrow, Sarah R. Creel
doaj   +1 more source

Carcinomas and Carcinoid Tumors of the Lungs and Bronchi in Children and Adolescents: The EXPeRT Recommendations

open access: yesPediatric Blood &Cancer, EarlyView.
ABSTRACT Primary lung carcinomas and bronchial carcinoid tumors (BC) are very rare malignancies in childhood. While typical BC and mucoepidermoid carcinomas are mostly low‐grade, localized tumors with a more favorable prognosis than in adults, necessitating avoidance of overtreatment, adenocarcinomas of the lung are often diagnosed at advanced disease ...
Michael Abele   +19 more
wiley   +1 more source

Identity and Intertextuality in Kate Atkinson’s Emotionally Weird

open access: yesSelçuk Üniversitesi Edebiyat Fakültesi Dergisi, 2018
Many women writers employ intertextuality to question gender identity and to produce female characters who are free of the narratives that have proven to be violent, oppressive and not viable for the contemporary female experience.
Hatice Yurttaş
doaj   +1 more source

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