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By women, for women: The women's funding movement
New Directions for Philanthropic Fundraising, 1993AbstractEfforts to focus philanthropic resources on women's special needs and to empower women of all socioeconomic and multicultural groups as philanthropists have created a rapidly growing complex of women's foundations and federations committed to funding, educating, training, and advocating to meet the needs of women donors, philanthropists, and ...
Carol Mollner, Susan Church
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Letters from: [ David L. Brautigan ][1] [ Patricia J. Brown ][1] M. R. C. Greenwood, in her Editorial “Dancing with wolves” ([29 Mar., p. 1787][2]), lists a large number of “notabl[e]” scientific societies that “are or have recently been headed by women or minorities.” Without disparaging Greenwood's choice of the societies worthy of note in this
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Women's Studies: Women Studying or Studying Women?
Feminist Review, 1983Mary Evans' article on women's studies (Evans, 1982) makes a spirited attempt to defend the practitioners of women's studies within academic institutions, principally those of the tertiary sector, from the accusations that they and their teaching is not feminist, since it is an altemative to political feminist practice, and therefore diminishes the ...
Ruth Pearson, Liz Kelly
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The Drama Review, 1974
Women's theatre groups are seeking new forms—forms that have not been derived from the male-oriented and male-dominated theatre that now exists. A search for new content also characterizes these groups, but their most important aspect is their relationship with their audiences.
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Women's theatre groups are seeking new forms—forms that have not been derived from the male-oriented and male-dominated theatre that now exists. A search for new content also characterizes these groups, but their most important aspect is their relationship with their audiences.
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Women's Folklore, Women's Culture
Béaloideas, 1986The essays in Women's Folklore, Women's Culture focus on women performers of folklore and on women's genre of folklore. Long ignored, women's folklore is often collaborative and frequently is enacted in the privacy of the domestic sphere. This book provides insights balancing traditional folklore scholarship.
Rosan A. Jordan+2 more
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