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Alphaville: Journal of Film and Screen Media, 2022 In recent years, international scholarship and industry reports have exposed the inherent incompatibilities between the media sector’s working cultures and caring responsibilities, focusing particularly on women who remain disproportionately responsible ...
Susan Berridge
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Women in the International Film Industry: Policy, Practice and Power, edited by Susan Liddy
Alphaville: Journal of Film and Screen Media, 2021 Over the last decade, particularly in the second half of it, a notable cultural shift has occurred across screen industries worldwide, bringing issues of gender equity to the fore.
Kath Dooley
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Doing Women’s Film & Television History: Locating Women in Film and Television, Past and Present
Alphaville: Journal of Film and Screen Media, 2021 The scholarship collected in this issue of Alphaville represents a selection of the research that was to be presented at the 2020 Doing Women’s Film & Television History conference, which was one of the many events cancelled as a result of the Covid-19 ...
Sarah Arnold, Anne O’Brien
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New Women’s Biopics: Performance and the Queering of Herstor/ies
European Journal of Life Writing, 2021 This article revisits the debates about the postfeminist biopic in the 21st century through the films Wild Nights with Emily (Olnek, 2018), Florence Foster Jenkins (Frears, 2016), The Favourite (Lanthimos, 2018) and particularly Colette (Westmoreland ...
Belén Vidal
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Alphaville: Journal of Film and Screen Media, 2020 Since her early videos for Annie Lennox and the Eurythmics, Sophie Muller has grown to be one of the most prominent pop music video directors in the world. She has shot over three hundred music videos through her prolific and celebrated career.
Sophie Muller
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Alphaville: Journal of Film and Screen Media, 2020 Carrie Sutton is a freelance directors’ representative working with independent creatives as well as music video directors signed to Biscuit Filmworks, Blindeye Films, Good Co., Kode Media, Rankin and The Graft.
Carrie Sutton
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'It's a film' : medium specificity as textual gesture in Red road and The unloved [PDF]
, 2012 British cinema has long been intertwined with television. The buzzwords of the transition to digital media, 'convergence' and 'multi-platform delivery', have particular histories in the British context which can be grasped only through an ...
Alvarado Manuel +50 more
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Not all creatives are created equal [PDF]
, 2018 Revelations of sexual harassment, sexism and unequal pay in film and broadcasting have called ‘time’s up’ on the myths of egalitarianism that circulate about the creative sector, argues Rosalind ...
Gill, R.
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Audible Efforts: Gender and Battle Cries in Classic Arcade Fighting Games
Media and Communication, 2019 Video games are demanding work indeed. So demanding that our screen heroes and heroines are constantly making sounds of strife, struggle, or victory while conducting surrogate labor for us running, fighting, saving worlds. These sounds also represent the
Milena Droumeva
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The Allure of Celebrities: Unpacking Their Polysemic Consumer Appeal [PDF]
, 2018 The file attached to this record is the author's final peer reviewed version.To explain their deep resonance with consumers this paper unpacks the individual constituents of a celebrity’s polysemic appeal. While celebrities are traditionally theorised as
Gould, Stephen J. +2 more
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