Results 171 to 180 of about 166,774,459 (230)
Using 640 curated electrolyte formulations, we apply data‐driven analysis to reveal how molecular features govern coulombic efficiency (CE) in lithium metal batteries. Fluorine content correlates positively with CE, while oxygen, carbon, and higher boiling points correlate negatively.
Minh Van Duong +6 more
wiley +1 more source
A novel W2TiC2Tx MXene prepared through a MAX‐phase route supports sub‐nanometer Co for highly efficient alkaline hydrogen evolution. Strong Co–W interfacial interactions optimize hydrogen adsorption and catalytic activity, enabling low overpotentials of 63 mV at 10 mA cm−2, small Tafel slope of 44.3 mV dec−1, and exceptional durability at industrially
Xiaopeng Liu +15 more
wiley +1 more source
Soft Yet Tough Tanglemers Through Rapid Photopolymerization for DLP 3D Printing
Soft yet tough tanglemers are produced through low‐initiator free radical photopolymerization and translated to DLP 3D printing. Systematic control over light intensity, initiator loading, and crosslink density reveals processing windows that balance printability, elasticity, toughness, and feature fidelity. ABSTRACT Additive manufacturing of compliant
Yutong Liu +5 more
wiley +1 more source
Diketopyrrolopyrrole‐Based Cation as a Semiconducting Spacer in Layered Perovskite
Diketopyrrolopyrrole cation incorporated layered perovskites exhibiting extended absorption profiles and enhanced charge carrier mobility with type‐II energy alignment. The improved photoconversion efficiency demonstrates the critical role of incorporating organic semiconductors in optimizing layered perovskite performance.
Waygen Thor +8 more
wiley +1 more source
Defect‐Templated Phase Engineering in Atomically Thin Metals
Graphene defects are transformed from passive imperfections into programmable templates for phase‐selective growth of atomically thin silver. Plasma‐generated boundary defects favor Ag(1), whereas sp3‐rich zero‐layer graphene promotes Ag(2). This defect‐directed intercalation links local graphene chemistry to crystalline phase, electronic structure ...
Arpit Jain +25 more
wiley +1 more source
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Are Bad Works of Art ‘Works of Art’?
Royal Institute of Philosophy Lectures, 1972Some years ago I came across the following question thrown out almost casually in the course of discussion: How many of us, it was asked, want to call a ‘bad work of art’ a ‘work of art’? The question was clearly rhetorical; the author quite obviously did not consider that anyone in his right mind would suggest that a bad work of art was a work of art.
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Philosophy, 1961
This examination of the concept “work of art” has been prompted by the desire to find a starting point for aesthetic inquiry which, to begin with at any rate, will arouse no dispute. A claim for general agreement such as Clive Bell's: “The starting point for all systems of aesthetics must be the personal experience of a pecular emotion”, is countered ...
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This examination of the concept “work of art” has been prompted by the desire to find a starting point for aesthetic inquiry which, to begin with at any rate, will arouse no dispute. A claim for general agreement such as Clive Bell's: “The starting point for all systems of aesthetics must be the personal experience of a pecular emotion”, is countered ...
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2007
Publication of The Labour of Art Symposium held at the University of Lincoln, 2005.Invariably when a writer is interviewed on radio, television or in a newspaper the topic of their working methods will be addressed, i.e. where (the site) the writer does his writing (the art), how long does she/he write for, how many words do they write.
John Plowman, Chris Dunne
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Publication of The Labour of Art Symposium held at the University of Lincoln, 2005.Invariably when a writer is interviewed on radio, television or in a newspaper the topic of their working methods will be addressed, i.e. where (the site) the writer does his writing (the art), how long does she/he write for, how many words do they write.
John Plowman, Chris Dunne
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Art as a product of nature as a work of art
World Futures, 1994It seems that the sciences and the arts are no longer as sharply separated as they were only thirty years ago. It is now quite fashionable to speak of scientific creativity and of the thought that enters into a work of art. Computer art, fractals, electronic music, film, debates about the role of metaphor and imagery, the whole enterprise of ...
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