Results 11 to 20 of about 4,862,464 (308)

Art as a laboratory – Guy Ben-Ary’s work [PDF]

open access: yes, 2019
Szykowna Sylwia, Art as a laboratory – Guy Ben-Ary’s work. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 115–124. ISSN 1731-450X. DOI 10.14746/i.2019.34.07.
Szykowna, Sylwia
core   +2 more sources

Contemporary art: what is it about? Notes taken through the reading of the book “The contingent object of contemporary art” written by Martha Buskirk

open access: yesVisualidades, 2015
What does exactly mean that thing that we use to call “contemporary art” nowadays? Is this expression an aesthetic label, a style, a genre, a historic period or what?
Pérola Mathias
doaj   +1 more source

Istnienie dzieła sztuki a jego tożsamość hermeneutyczna według Hansa-Georga Gadamera

open access: yesLogos i Ethos, 2013
The first part of the article attempts to reconstruct Gadamer’s ideas concerning auto – presentation as the ontological essence of a work of art. It also addresses the claim that relates art to the nature of truth. The second part of the article touches
Marek Sołtysiak
doaj   +1 more source

Developing and fostering creativity through the works of art by young pupils [PDF]

open access: yesRevija za Elementarno Izobraževanje, 2017
The aim of this experimental research was to examine the effectiveness and impact of active observation of the work of art by applying specially designed strategies, methods and procedures to the development of general artistic creativity in pupils.
Kristinka Selaković
doaj   +1 more source

Étienne Gilson: L’idée de la beauté et sa conception de l’art [PDF]

open access: yesStudia Gilsoniana, 2021
"Étienne Gilson: His Idea of Beauty and Art”: Two books of Étienne Gilson are especially important in the area of aesthetics: Painting and Reality and The Arts of the Beautiful. In my essay I discuss Gilson’s idea of beauty and his idea of art.
Piotr Jaroszyński
doaj   +1 more source

Fait/événement - Document/monument

open access: yesImages Re-Vues, 2014
In our ordinary experience, facts (that we know and say about the events, our descriptions, our versions) are clearly distinguished from events, and their inclusion in the catalogue of the world is controversial.
Giuseppe Di Liberti
doaj   +1 more source

The impact of cybercrime and social media on intellectual security and awareness with University students in KSA: a field study on students of Imam Abdulrahman Bin Faisal University

open access: yesCogent Arts & Humanities
The study aimed to show the impact of cybercrime and social media on intellectual security and awareness with university students in KSA. To achieve the objectives of the study, a descriptive approach was used through designing an 18-item questionnaire ...
Shuruq Ismail Alsharif   +4 more
doaj   +1 more source

Dialogue of cultures as a synthesis of arts: experience of formation of integrative poetics in Diaghilev's seasons

open access: yesФілософія освіти, 2021
The article is devoted to the definition of the synthesis of arts in Serge Diaghilev's seasons as a dialogue of cultures. In contrast to the interpretation of the dialogue of cultures as a sociological phenomenon, which has become a truism, when the ...
Anna Arefieva
doaj   +1 more source

The Work of Cinematic Art: Art as Work and Work as Art

open access: yes, 2020
Leaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
openaire   +2 more sources

Ambivalence of the Notion of “Mimesis”: Between the Opening towards the Other and the Repetition of the Same

open access: yesAisthesis, 2018
One of the main characteristics of the contemporary aesthetic debate is the recovery of the concept of mimesis, as a dimension that is originally involved in the foundation of human culture and the processes of cultural learning.
Antonio Valentini
doaj   +3 more sources

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