Results 211 to 220 of about 3,704 (261)
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The Wreck And Not The Story of The Wreck
2019El videoensayo vincula el poema de Adrienne Rich con un metraje doméstico hallado para reflexionar sobre el naufragio, la memoria y el valor de los objetos olvidados, subrayando la paradoja de narrar aquello que se pretende rescatar más allá del relato.
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Scientific American, 2013
The article presents information on the various engineering projects required to right and refloat the Costa Concordia cruise ship, which settled on its side after running aground in 2012 on the island of Giglio in Italy. Topics include the risk of ocean pollution if the ship sinks during the salvage operation, comments by salvage coordinator Nick ...
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The article presents information on the various engineering projects required to right and refloat the Costa Concordia cruise ship, which settled on its side after running aground in 2012 on the island of Giglio in Italy. Topics include the risk of ocean pollution if the ship sinks during the salvage operation, comments by salvage coordinator Nick ...
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2019
This chapter, about Two-Lane Blacktop ’s post-production and release, relates how Monte Hellman cut together a European-style, slow-paced film. Esquire magazine had put the movie on its cover, calling it “the movie of the year,” and raising expectations.
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This chapter, about Two-Lane Blacktop ’s post-production and release, relates how Monte Hellman cut together a European-style, slow-paced film. Esquire magazine had put the movie on its cover, calling it “the movie of the year,” and raising expectations.
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Eighteenth-Century Studies
Abstract: The eighteenth century elaborated a prolific phraseology, and poetics, of coastward wreck. Pivotally formative for the novelistic first-person, coastal disasters were above all collective affairs. The period’s many notorious accounts of seaside pillage represent wrecks as coordinating sudden multitudes, and as staging scenes in an endlessly ...
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Abstract: The eighteenth century elaborated a prolific phraseology, and poetics, of coastward wreck. Pivotally formative for the novelistic first-person, coastal disasters were above all collective affairs. The period’s many notorious accounts of seaside pillage represent wrecks as coordinating sudden multitudes, and as staging scenes in an endlessly ...
openaire +1 more source