Results 11 to 20 of about 231,085 (73)
Use of space in Yeşilçam Cinema in the context of symbolization of traditional-modern dilemma
1960-1975 period of Turkish cinema is accepted as 'Yeşilçam'. These movies have embodied the modernization process of Turkey. Generally, in media and literature, Yeşilçam Cinema has been criticized as being deprived of creativity and are considered to be
Altun, Tutku Didem
core +1 more source
Yeşilçam Film Posters of the 60s and 70s: Representing Romance [PDF]
Cinema and movie poster have the most powerful potential of establishing the ethos and mythology of people, and both assume an audience on the premises of a cultural context within which they are produced.
Noyan, Nazli Eda
core +7 more sources
What happened to Yeşilçam Street? [PDF]
Yer Beyoğlu. Görüntü Yönetmeni Çetin Tunca Yeşilçam Sokağına doğru ilerlemektedir. Sokağın tabelası görülür. İşte Yeşilçam Sokağı: adını bir dönem sinemamıza veren ve Türk sinemasının altın çağını yaşadığı bir zamana ev sahipliği yapmış olan mekân. Çetin
Kenger Yıldırım, Esra
core +1 more source
Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema
New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz,
Zühre Canay Güven
doaj +1 more source
Patched Narratives: Yeşilçam Melodramas within the Social Realist Structure of the 1960s
Turkish cinema presents a structure in which various narrative patterns emerge distinctively across different periods. These narratives reflect the social and cultural conditions of their time while also allowing for ideological readings.
Nigar Zulfugarova
doaj +1 more source
Cineares: cinema, cultura e integração social [PDF]
Trabalho apresentado no 31º SEURS - Seminário de Extensão Universitária da Região Sul, realizado em Florianópolis, SC, no período de 04 a 07 de agosto de 2013 - Universidade Federal de Santa Catarina.O artigo tem como ênfase mostrar que o cinema surge ...
Pinheiro, Lowrrane +2 more
core
Comparatively analyzing films through the lenses of translation and adaptation studies may prove to be functional in understanding how texts evolve across different mediums, languages, and cultures.
Bora Arga
doaj +1 more source
Yeşilçam melodramatic imagination and its influence on the new Turkish Cinema [PDF]
In Turkey, especially between 1960 and 1975, the popularity and influence of melodramatic cinema grew during dramatic socio-economic changes and hegemonic ideology of modernization project; melodrama tried to create a new morality for this emerging ...
Pehlivan, Behice
core +1 more source
History presented in films has always been problematic. This debate is generally categorized into two categories, if the historical movies are loyal to the historical fact or if they should be aesthetically considered an art form.
Sırrı Serhat Serter
doaj +1 more source

