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Türkiye’de bağımsız sinema üzerine bir inceleme : Emin Alper, Pelin Esmer ve Tolga Karaçelik [PDF]
Uçar, Taha Onur
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Reprezentacje rodziny w nowym kinie tureckim – między tradycyjną obyczajowością a (po)nowoczesnością [PDF]
Wiącek, Elżbieta
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Introduction: Ten Propositions On The Possibility of A New Cinema [PDF]
Akser, Murat, Bayrakdar, Deniz
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ZEKİ DEMİRKUBUZ SİNEMASINDA TOPLUMSAL CİNSİYET
2011This study examines the representations of gender in the movies of Zeki Demirkubuz from psychoanalytic and feminist points of view. Generally, male stories are told in these movies, and women appear in the context of their relations with men, or are turned into simple annexes of men. In these movies, it is difficult to find women who can stand in their
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ZEKİ DEMİRKUBUZ FİLMLERİNDE ARZU VE İHANET
2018Bu makale, Zeki Demirkubuz’un karşılıksız aşk, kıskançlık ve ihanet temalarını ele alan filmlerinden Kor (2016), İtiraf, (2001), Masumiyet (1997) ve Kader (2006) üzerine odaklanarak bu filmlerde işleyen arzu dinamiklerini aydınlatmayı amaçlamaktadır.
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Traces of Existentialism in Zeki Demirkubuz's Cinema: Stories About Darkness Trilogy
2016Existentialism is the sensitiveness of self-creation of the person who has the ability to think ahead. Like in every thought system, a massive true-life experience is also a matter in the basis of existentialism. Chaotic order in the first half of the 20th century, which passed with wars, caused the individual to think different from other people in ...
Günay, Ömer Lütfi, Subölen, Sedef
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