Results 1 to 10 of about 2,549 (188)
Zhang Yimou’s Blood Simple: Cannibalism, remaking and translation in world cinema [PDF]
Journal of Adaptation in Film and Performance, 2014 Zhang Yimou’s A Woman, A Gun and A Noodle Shop (2009) remakes the Coen brothers’ Blood Simple (1984) in a way that re-imagines the earlier film in a Chinese setting, adapting and recreating the narrative, but the film cannot be regarded as being aimed ...
Jonathan Evans
exaly +7 more sources
Never Forfeit the Self: The Art of Zhang Yimou
Film-Philosophy, 2003 _Zhang Yimou: Interviews_ Edited by Frances Gateward Conversations with Filmmakers Series Jackson: University Press of Mississippi, 2001 ISBN 1578062624 169 pp.
Sheila Petty
doaj +3 more sources
A Critical Appreciation of the Commercial Blockbusters by Zhang Yimou [PDF]
International Journal of Literature and ArtsIt is essential to note that for the past two decades the majority of the Fifth Generation directors have experienced an obvious shift of film-making from art cinema to the production of commercial blockbusters. By means of borrowing Hollywood’s “high concept” cinema, the local blockbusters featuring Chinese cultural elements are very emphatic about ...
Zhang Qianyu
exaly +3 more sources
El Maoísmo a través de Zhang Yimou [PDF]
Asiadémica : revista universitaria de estudios sobre Asia Oriental, 2012 Ruiz, Isma
core +7 more sources
Chinese Culture on the Global Stage: Zhang Yimou and Riding Alone for Thousands of Miles [PDF]
The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts, 2012 As opposed to Zhang Yimou’s 张艺谋 much-criticized film Hero《英雄》(2002), which addresses the relationship between culture and political power, Riding Alone for Thousands of Miles《千里走单骑》 (2005) asks the question of whether, under the conditions of ...
Wendy Larson
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Le langage des couleurs dans les films de Zhang Yimou [PDF]
Cahiers de Narratologie, 2009 Tout film, ou du moins tout film de fiction, est récit. Représentation visuelle et sonore, le film transpose à l’écran la réalité par un enchaînement d’images, où des traits physiques, gestes, mouvements, paysages se combinent pour former un espace de ...
Xiaomin Giafferri
doaj +2 more sources
Clinical and Translational Medicine, 2021 Clinical and Translational Medicine, Volume 11, Issue 7, July 2021.
Xueyou Zhang +8 more
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The Hero Fallen: Zhang Yimou and the Question of Unstable Authorship [PDF]
, 2021 <p>When Zhang Yimou’s film, Hero (2002), was released it was one of the most successful Chinese films ever screened in American theaters. While many critics applauded the film’s aesthetics, other reviewers condemned the film for undermining the political potency of Zhang’s early films and promoting a fascist ideology.
Mark W. Ellsworth
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‘Reading’ the Cinema of Zhang Yimou: Between the Chinese and the Global
Ícone, 2009 How are national identities transformed? If they are mostly narratives of belonging to a community of history and destiny to which people subscribe, those boundarymaking procedures that constitute the political field by instituting difference can provide a tentative answer to this question.
Armida de la Garza
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Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu, 2005 Outi Hakola
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