Results 91 to 100 of about 2,549 (188)
, 2017 This paper explores how Lev Tolstoy’s work was discussed by both Marxist philosopher György Lukács and Chinese writer Eileen Chang during the global crisis of the 1930s and the Second World War.
CHAN, Roy Bing
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Deux pôles yang du nouveau cinéma chinois : Chen Kaige et Zhang Yimou [PDF]
, 2011 Marie Claire Huot
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Research on Chinese film industry under the background of globalization—Taking Zhang Yimou 's film as an example [PDF]
, 2023 Mingyang Li
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Claire Shen Hsiu-chen, L’Encre et l’Ecran. A la recherche de la stylistique cinématographique chinoise, Hou Hsiao-hsien et Zhang Yimou (Ink and the Screen : In Search of Chinese Film Stylistics, Hou Hsiao-hsien and Zhang Yimou) [PDF]
, 2004 Bérénice Reynaud
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A Comparative Study of Zhang Yimou and Chen Kaige “Main Melody” Films [PDF]
Lihao Xi
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Les imatges d'una dècada (i II). Continuació d'un breu recorregut per la memòria cinèfila més récent [PDF]
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Romaguera, Joan Carles
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Expansion of China's Cities and Agricultural Production [PDF]
In China, there is a growing debate on the role of cultivated land conversion on food security. This paper examines the changes of the area of cultivated land and its potential agricultural productivity in China using satellite images.
Deng, Xiangzheng +3 more
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The most superficial reasons for the fortune of Red Lanterns - the racking up of prizes at festivals, Gong Li's magnetic attractiveness, the formal care and narrative circularity, the presence of red lanterns, so evocative of a supposed "Chineseness" - are not sufficient elements to explain the extraordinary success of this film.
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