Results 141 to 150 of about 2,549 (188)

Whose nation? Ethnographic enquiry in cultural discourses of belonging since the 80s = 誰的家國? 從民族誌角度看八十年代以來有關認同問題的文化論述

, 2005
RIEMENSCHNITTER, Andrea
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Rencontre avec Zhang Yimou : Liberté d’expression

, 1999
Cynthia Wu, Martin Doepner
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Estudio de la figura del héroe en China a través de los relatos audiovisuales en la cultura oriental: investigación aplicada a las películas de “Sorgo rojo” y “Héroe” de Zhang Yimou

Nieves Villaseca Blanco
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Zhang Yimou, una verdadera revolución cultural

, 1998
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Come drink with me : If you dare : Golden Swallow, King Hu, and the Cold War = 《大醉俠》 : 金燕子、胡金銓與冷戰時代

, 2007
MARCHETTI, Gina
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Archetypes in Zhang Yimou's Films: Significance of Regional Culture

Asian Cinema, 2008
Scholars of many disciplines, have provided theories on the relationship between place and childhood, adult memory (Glassberg, 2001: 113-118). Place is not empty; it is "storied." Wallace Stegner contends, "No place is a place until the things that have happened in it are remembered in history, ballads, yarns, legends, or monuments" (in Glassberg ...
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Su Tong and Zhang Yimou

2010
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Zhang Yimou

2023
One of the most famous film and controversial directors in China, Zhang Yimou 张艺谋 (b. 1951– ) has directed over twenty feature films, beginning with the award-winning Red Sorghum (Hong gaoliang 红高粱) in 1987. Following the Cultural Revolution, Zhang, at twenty-seven, was too old to enter the newly reopened Beijing Film Academy, but, after showing ...
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Zhang Yimou's Hero and the Temptations of Fascism

Film International, 2004
Evans Chan analyzes the career of a director working under restrictions imposed by state censors.
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From the Fifth to the Sixth Generation: An Interview with Zhang Yimou

Film Quarterly, 1999
T he color red is the signature for most of Zhang Yimou's films: red sorghum (Red Sorghum), red silk (Judou), red lantern (Raise the Red Lantern), red dress (The Story of Qiuju), and so on. All sensuous, all symbolic. Classical Chinese theater is full of color symbols: a red face suggests loyalty; a black face, bravery; and a white face, evil.
Tan Ye, Zhang Yimou
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