Results 11 to 20 of about 2,549 (188)
Dance in Chinese films - Focusing on Zhang Yimou -
The Korean Journal of Dance Studies, 2017 김주희
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Boundary Enhanced Classification Model for Nested Named Entity Recognition [PDF]
Jisuanji gongcheng, 2022 Entity nesting is a common phenomenon in natural language.Improving the accuracy of nested Named Entity Recognition(NER) plays an important role in various Natural Language Processing(NLP) tasks.Addressing the inaccuracy of existing nested NER methods ...
LIAN Yimou, ZHANG Yingjun, XIE Binhong
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The Use of Visual Sensing Technology and Digital Image Technology in Public Art Design
Mathematical Problems in Engineering, Volume 2022, Issue 1, 2022., 2022 The intent of this research article is the analysis of application of digital image technology and visual sensing technology in public art design. The specific forms of public art design are studied. A series of studies on the public art form of live performance is carried out combined with the principles of advanced computer technology such as digital
Pei Zheng, Yao Yan, Naeem Jan
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[Retracted] Reconstruction of New Media Art Ecology Based on Intelligent Technology Environment
Wireless Communications and Mobile Computing, Volume 2022, Issue 1, 2022., 2022 With the rapid development of modern multimedia technology and Internet technology, the traditional media in people’s daily life, including newspapers, magazines, radio, and television, are far less timely and extensive than the new media that use the Internet to spread, such as today’s headlines, microblog, TikTok, and NetEase News.
Mengying Xi, Kalidoss Rajakani
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Zhang Yimou: great master of color
COLOR CULTURE AND SCIENCE, 2021 As a pioneer of Chinese cinema, Zhang Yimou, has directed anumber of films spanning various historical periods, genres and techniques, but if there is a style or technique that really defines him, this is the skillful, symbolic and communicative use of color.Many critics claim that red is the color that voluntarily characterizes his films, but he ...
Luzzatto, Lia, Del Zoppo, Laura
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Inspiracje plastyczne we wczesnej twórczości Zhanga Yimou
Kwartalnik Filmowy, 2009 Przyzwyczajeni jesteśmy do tego, że artysta będący przedstawicielem danej kultury i spadkobiercą jej tradycji, sięga w swej twórczości filmowej do wzorów rodzimego malarstwa i symboliki wizualnej z kręgu otaczającej go ikonosfery.
Alicja Helman
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Kiedy komedia nie jest komedią. „Komedie” Zhanga Yimou
Kwartalnik Filmowy, 2006 Helman analizuje trzy filmy Zhanga Yimou – Historię Qiu Ju, Keep Cool i Szczęśliwe czasy pod kątem ich przynależności gatunkowej. To jedyne produkcje chińskiego reżysera określane jako komedie.
Alicja Helman
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Vietnamese and Chinese Movies about Royalty
Asian Studies, 2020 Since 2002, with the enormously successful release of the movie Hero by Zhang Yimou, we have been witnessing the resurrection of the royal theme in contemporary East Asian cinema, and the return of Confucian cosmology as its philosophical foundation. In
Cam-Giang Hoang
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Odkrywanie kolorów, czyli o filmach Zhanga Yimou
Kwartalnik Filmowy, 2011 Recenzja książki Alicji Helman Odcienie czerwieni (2010) poświęconej twórczości jednego z najwybitniejszych reżyserów chińskich (i azjatyckich w ogóle) – Zhanga Yimou.
Ewelina Nurczyńska-Fidelska
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