Chapter Two. Principles of Art History: The Problem of the Development of Style in Later Art

Chapters in this book

1. Frontmatter i
2. Contents ix
3. Illustrations xiii
4. Acknowledgments xv
5. Baroque, New World Baroque, Neobaroque 1
6. Part One. Representation: Foundational Essays on Baroque Aesthetics and Ideology
7. Chapter One. On the Baroque 44
8. Chapter Two. Principles of Art History: The Problem of the Development of Style in Later Art 49
9. Chapter Three. The Origin of German Tragic Drama 59
10. Chapter Four. The Debate on the Baroque in Pontigny 78
11. Chapter Five. The Concept of Baroque in Literary Scholarship 95
12. Chapter Six. Baroque in England 119
13. Chapter Seven The Work of the Gaze 140
14. Chapter Eight. Savoring Góngora 165
15. Chapter Nine. America’s Relation to Europe in the Arts 183
16. Chapter Ten. The Baroque in America 200
17. Chapter Eleven. Baroque Curiosity 212
18. Chapter Twelve. The City of Columns 244
19. Chapter Thirteen. Questions Concerning the Contemporary Latin American Novel 259
20. Chapter Fourteen. The Baroque and the Neobaroque 270
21. Chapter Fifteen. Baroque Cosmology: Kepler 292
22. Chapter Sixteen. The Rule of Anthropophagy: Europe under the Sign of Devoration 319
23. Part Two. Transculturation: Colonial Practice
24. Chapter Seventeen. Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels 343
25. Chapter Eighteen. Sor Juana and Luis de Góngora: The Poetics of Imitatio 352
26. Chapter Nineteen. American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama 394
27. Chapter Twenty. Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal 415
28. Chapter Twenty-one. Baroque Self-Fashioning in Seventeenth-Century New France 450
29. Chapter Twenty-two. The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities 467
30. Part Three. Counterconquest: Postcolonial Positions
31. Chapter Twenty-three. From the Baroque to the Neobaroque 487
32. Chapter Twenty-four. The Baroque at the Twilight of Modernity 508
33. Chapter Twenty-five. The Novel as Tragedy: William Faulkner 531
34. Chapter Twenty-six. Góngora’s and Lezama’s Appetites 554
35. Chapter Twenty-seven. Europe and Latin America in José Lezama Lima 571
36. Chapter Twenty-eight. Seeking a Cuba of the Self: Baroque Dialogues between José Lezama Lima and Wallace Stevens 597
37. Chapter Twenty-nine. Concerning a Baroque Abroad in the World 624
38. Bibliography 627
39. Notes on Contributors 645
40. Index 651