Results 31 to 40 of about 1,023 (178)
La Parte de comedias como género editorial
Criticón, 2010 This article presents some general considerations on Spanish Golden Age printed playtexts, and it analyses the birth and development of the Parte de comedias as an editorial genre, focusing on the first third of 17th Century.
Luigi Giuliani
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Macau as Method: Recombinant Urbanism in Post‐Socialist China
Asia Pacific Viewpoint, EarlyView.ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
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PHENOMENON OF THE QUALITY OF EDUCATION: THE BAROQUE EPOCH
Неперервна професійна освіта: теорія та практика, 2019 The paper reviews recent approaches to the evaluation of education quality. The critical view of education quality in Ukraine today and its phenomenal success in the age of baroque is represented.
Anton Kolomiiets
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Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro, 2013 The public enactment of secrecy is part of the Spanish Golden Age culture. This article presents a research project, which pursues three objectives: A study of secrecy as a core characteristic of Spanish Golden Age culture, on the basis of ...
Wolfram Aichinger, Simon Kroll
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Modern Theology, EarlyView.Abstract Orthodox Christian theology in general prides itself on bearing the mantle of patristic thought. Orthodox theological anthropology is no different, often drawing on Greek patristic sources in presenting its vision of the human being. Yet Orthodox anthropology can also broadly be categorized as personalist in ways that are not necessarily so ...
Alexis Torrance
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Nouvelles écritures francophones : Vers un nouveau baroque ?
, 2001 Le terme « baroque », qui désignait à l’origine une perle irrégulière, s’emploie maintenant couramment comme synonyme de « bizarre, fantaisiste, déplacé ».
Jean Cléo Godin
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Imperial Identity Seen Through Art. The Case of Maria Theresa – Considerations
Gender Studies, 2021 During the reign of Maria Theresa (1740-1780) a reassessment of the role women played in a closed society occurred. The main question this article aims to answer is how one can identify these changes by analysing images with high symbolic value, which ...
Vlăsceanu Mihaela
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Renaissance Studies, EarlyView.ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
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Bibliothecae.it, 2020 The rediscovery of the ancient Egyptian civilization is a distinctive feature of humanistic culture. This Egyptomania, which extends also to the seventeenth and the subsequent centuries, is well documented in early printed books and focuses on two ...
Antonella Brunelli
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