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Revisiting Wölfflin in the Age of AI: A Study of Classical and Baroque Composition in Generative Models [PDF]
This study explores how contemporary text-to-image models interpret and generate Classical and Baroque styles under Wölfflin’s framework—two categories that are atemporal and transversal across media.
Adrien Deliege +2 more
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Almodóvar’s Baroque Transitions in the Early Films (1980–1995)
Spanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews.
Frederic Conrod
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Botanical Analysis of the Baroque Art on the Eastern Adriatic Coast, South Croatia. [PDF]
Jasprica N, Lupis VB, Dolina K.
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Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts [PDF]
This article deals with aspects of Alois Riegl’s investigation of Baroque art in light of selected passages of his still unpublished manuscripts. The analysis of this voluminous corpus, in comparison with Riegl’s posthumous publications on the “origins ...
Eleonora Gaudieri
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Specificity of performance and intonation of clavier works of the Baroque era
We analyze the specifics of performance and intonation clavier works of the Baroque era. An approximate model of the system for mastering the art of intonation of Baroque clavier music is given.
A. Y. Maryatch
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Viktor Zhivov’s 2007 article, here translated into English for the first time, attempts to describe the specific nature of the Baroque in Russia. According to Zhivov, Russian Baroque culture arose via transplantation and was not the result of organic ...
Marcus Levitt
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The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms.
Maxime Cartron
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“A Well-organized Disorder”. A Look at the Spanish American Neo-baroque [PDF]
The article consists of two parts: theory and artistic practice. The first part examines the history of the concept of Latin American Neo-Baroque. It begins in European art history, first, when J. Burkhard characterized the Baroque as a certain period in
Andrey F. Kofman
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The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on ...
Barbara Nestola
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Inclination towards Baroque in Contemporary Figurative Painting [PDF]
The Baroque period started a great revolution in the realm of painting. One of the most important benefits was that much more expressive possibilities were introduced in painting. Various newly formed qualities created a visually effective language which
Hojat Allah Saadatfar
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