Results 41 to 50 of about 138,826 (222)
Лабіринтом праць Дмитра Чижевського: чеське літературне бароко
Opera slavica, 2013 The article deals with D. Čyževskyj's publications in which Czech literary Baroque is touched upon. The author points out two dominant aspects of these works: Baroque symbolism (on the basis of spiritual songs of the pre-Baroque) and Baroque worldview ...
Oksana Blaškìv
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Meno Istorija ir Kritika, 2022 The article analyses for the first time the décor motifs of the bronze chandeliers from Lithuania and Latvia in the 16th–18th century. More abundant objects in Latvia are used to reconstruct the lost heritage of chandeliers in Lithuania, and the variety,
Valtaitė-Gagač Alantė
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Écrire le Baroque, écrire baroque
Acta Fabula, 2001 Cet article est un compte-rendu du livre : Pelegrin, Benito, Figurations de l'infini. L'Âge Baroque européen, Paris, Le Seuil, 2000.
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Faculty recital series: An Evening of Baroque Chamber Music, November 1, 2010 [PDF]
, 2010 This is the concert program of the Faculty recital series: An Evening of Baroque Chamber Music performance on Monday, November 1, 2010 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Trio
School of Music, Boston University
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Macau as Method: Recombinant Urbanism in Post‐Socialist China
Asia Pacific Viewpoint, EarlyView.ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
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IN PURSUIT OF THE HOFFMANNESQUE
German Life and Letters, EarlyView.ABSTRACT This article seeks to elucidate the term ‘Hoffmannesque’ — the eponymous adjective that refers to E. T. A. Hoffmann — through recourse to Hoffmann's own use of ‘esque’ words: arabesque, grotesque, burlesque, picturesque. By investigating the characteristics of ‘esque’ formulations and tracing their recurrence through Hoffmann's texts, I argue ...
Polly Dickson
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Studia Anglica Posnaniensia, 2015 The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
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Mervyn Peake’s Gormenghast Novels: a Baroque Hostility to Straight Lines
Études Britanniques Contemporaines, 2005 Can Peake’s Gormenghast novels be termed baroque? This paper suggests the beginnings of an answer by examining one aspect which is usually considered a distinguishing feature of baroque art, namely, its marked preference for curves, broken lines, spirals
Sophie Mantrant
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Domenico Scarlatti Festival, February 19-21, 1998 [PDF]
, 1998 This is the concert program of the Domenico Scarlatti Festival on Thursday, February 19 through Saturday, February 21, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Modern Theology, EarlyView.Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
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