Results 41 to 50 of about 139,864 (225)
Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
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Baroque Chamber Music, October 28, 2001 [PDF]
This is the concert program of the Baroque Chamber Music performance on Sunday, October 28, 2001 at 7:00 p.m., at Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
core
Abstract Orthodox Christian theology in general prides itself on bearing the mantle of patristic thought. Orthodox theological anthropology is no different, often drawing on Greek patristic sources in presenting its vision of the human being. Yet Orthodox anthropology can also broadly be categorized as personalist in ways that are not necessarily so ...
Alexis Torrance
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
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Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
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Baroque Chamber Music, November 18, 2001 [PDF]
This is the concert program of the Baroque Chamber Music performance on Sunday, November 18, 2001 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Tritt auf Glaubensbahn, from Cantata 152 by Johann Sebastian Bach, Canonie
School of Music, Boston University
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Remarques sur la genèse et les utilisations de la notion de « baroque » en Allemagne
La contribution retrace l’évolution des significations attribuées à la notion de « baroque » dans le domaine de la recherche allemande depuis ses premières utilisations esthétiques dans l’histoire de l’art au xixe siècle chez Jacob Burckhardt et Heinrich
Hartmut Stenzel
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The fine arts during the Baroque period in the Principality of Catalonia and the countships of Roussillon and the Cerdagne [PDF]
Once the prejudices that hindered our understanding of Baroque art’s true nature had been overcome, the history of Catalan art has been rehabilitating the memory of the Baroque period and discovering a more faithful image of it.
Joan Bosch
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