Results 51 to 60 of about 138,826 (222)
Baroque Chamber Music, November 18, 2001 [PDF]
, 2001 This is the concert program of the Baroque Chamber Music performance on Sunday, November 18, 2001 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Tritt auf Glaubensbahn, from Cantata 152 by Johann Sebastian Bach, Canonie
School of Music, Boston University
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Remarques sur la genèse et les utilisations de la notion de « baroque » en Allemagne
Les Dossiers du GRIHL, 2012 La contribution retrace l’évolution des significations attribuées à la notion de « baroque » dans le domaine de la recherche allemande depuis ses premières utilisations esthétiques dans l’histoire de l’art au xixe siècle chez Jacob Burckhardt et Heinrich
Hartmut Stenzel
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Renaissance Studies, EarlyView.Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
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SHORT FICTION BY LUIS SEPULVEDA: NEO-BAROQUE TENDENCIES
Sovremennye Issledovaniâ Socialʹnyh Problem, 2019 Purpose. The work deals with short prose by Luis Sepulveda as an example of neo-baroque literature. The main purpose of the work is topic establishment of neo-baroque strategies in the short stories by L. Sepulveda.
Larisa Georgievna Khoreva
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Renaissance Studies, EarlyView.ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
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Faculty recital series: Shiela Kibbe, April 7, 2009 [PDF]
, 2009 This is the concert program of the faculty recital of Shiela Kibbe on Tuesday, April 7, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Myrten, op.
School of Music, Boston University
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Faculty recital series: Peter Zazofsky, violin, Robert Merfeld, piano, March 21, 2006 [PDF]
, 2006 This is the concert program of the Faculty recital series: Peter Zazofsky, violin, Robert Merfeld, piano performance on Tuesday, March 21, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
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