Results 61 to 70 of about 138,826 (222)
The beauty of the act – Figuring film and the delirious baroque in HOLY MOTORS
NECSUS, 2014 Leos Carax’s metamorphic Holy Motors (2012) has been received as evading conceptual, physical, and cinematic coherence. Drawing on Gilles Deleuze’s concept of the fold and Nicole Brenez’s work on the figural powers of the cinema, this article argues that
Saige Walton
doaj +1 more source
Bridging fiddle and classical communities in Calgary, Canada : the Baroque & Buskin’ String Orchestra [PDF]
, 2008 Publisher ...
Sereno-Janz, Elisa
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Deconstructing Theory, Engaging Practice
Australian and New Zealand Journal of Family Therapy, Volume 47, Issue 1, March 2026.ABSTRACT This article revisits longstanding differences between modern and postmodern theory within systemic and family therapy and discusses its implications for practice. Drawing on Derrida's understanding of deconstruction as an ethical relation, it proposes a hospitable stance that holds theory lightly and irreverently, opening practice to multiple
Glenn Larner
wiley +1 more source
Preposterous baroque: body and temporality in Néstor Perlongher and Severo Sarduy
Estudios de Teoría Literaria, 2015 This article examines how the baroque is theorized in texts written by Néstor Perlongher and Severo Sarduy during the global HIV crisis. I propose that by taking illness as a starting point, these writers develop the notion of the baroque as resistance ...
Cristel M. Jusino Diaz
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Exhibitions on the Baroque as media of the construction of Austrian identities in the 20th century [PDF]
Journal of Art Historiography, 2016 This essay deals with the construction of national identity in Austria through museum presentations and exhibitions of Baroque art between 1900 and 1960. The approach understands museums and exhibitions as ‘media’ providing visual expression of a variety
Andreas Nierhaus
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Boston University Baroque Orchestra with Boston Baroque, April 25, 2005 [PDF]
, 2005 This is the concert program of the Boston University Baroque Orchestra with Boston Baroque performance on Monday, April 25, 2005 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Concerto grosso, Op. 3 No. 11 by Antonio Vivaldi,
School of Music, Boston University
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Thermo‐Oxidative Stability of Materials: Assessment and Predictions
Chemistry–Methods, Volume 6, Issue 3, March 2026.The article summarizes long‐term stability predictions based on non‐Arrhenian extrapolation of fast high‐temperature thermoanalytical measurements. The theory is applicable for the lifetime estimation of objects made of plastics and other organic materials which can be employed in the conservation of plastic artifacts.
Peter Šimon +2 more
wiley +1 more source
Ribald Man with a cranky look. The Sarmatian portrait as the pop-cultural symbol of the Baroque in Poland [PDF]
Journal of Art Historiography, 2016 This article analyses how it was that the Sarmatian portrait, a phenomenon typical of Polish Baroque art in the twentieth century, came to be a symbol of Polishness, and to what extent this pop-cultural vision of the ‘Polish Baroque’ was formed by ...
Emilia Kłoda, Adam Szeląg
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Time's Arrow: New Music Ensemble, April 6, 2005 [PDF]
, 2005 This is the concert program of the Time's Arrow performance on Wednesday, April 6, 2005 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Piece for solo trumpet by Stefan Wolpe, The Andrèe Expedition by Dominick Argento ...
School of Music, Boston University
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International Journal of Tourism Research, Volume 28, Issue 2, March/April 2026.ABSTRACT This study explores how urban fixtures in historic gardens influence visitor perception and their implications for cultural heritage tourism. A total of 363 fixtures were inventoried across six historic gardens in Europe and Türkiye, and 326 participants evaluated their perceptual, esthetic, and emotional responses through an online survey ...
Demet Ulku Gulpinar Sekban
wiley +1 more source