Results 61 to 70 of about 139,864 (225)
Exhibitions on the Baroque as media of the construction of Austrian identities in the 20th century [PDF]
Journal of Art Historiography, 2016 This essay deals with the construction of national identity in Austria through museum presentations and exhibitions of Baroque art between 1900 and 1960. The approach understands museums and exhibitions as ‘media’ providing visual expression of a variety
Andreas Nierhaus
doaj
Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
wiley +1 more source
Baroque Chamber Music, February 24, 1997 [PDF]
, 1997 This is the concert program of the Baroque Chamber Music performance on Monday, February 24, 1997 at 9:00 p.m., at the Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
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The Shape of Art History in the Eyes of the Machine
, 2018 How does the machine classify styles in art? And how does it relate to art historians' methods for analyzing style? Several studies have shown the ability of the machine to learn and predict style categories, such as Renaissance, Baroque, Impressionism ...
Elgammal, Ahmed +4 more
core +1 more source
Almodóvar’s Baroque Transitions in the Early Films (1980–1995)
HumanitiesSpanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews.
Frederic Conrod
doaj +1 more source
Deconstructing Theory, Engaging Practice
Australian and New Zealand Journal of Family Therapy, Volume 47, Issue 1, March 2026.ABSTRACT This article revisits longstanding differences between modern and postmodern theory within systemic and family therapy and discusses its implications for practice. Drawing on Derrida's understanding of deconstruction as an ethical relation, it proposes a hospitable stance that holds theory lightly and irreverently, opening practice to multiple
Glenn Larner
wiley +1 more source
Boston University Baroque Orchestra, November 22, 2009 [PDF]
, 2009 This is the concert program of the Boston University Baroque Orchestra performance on Saturday, November 22, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Ribald Man with a cranky look. The Sarmatian portrait as the pop-cultural symbol of the Baroque in Poland [PDF]
Journal of Art Historiography, 2016 This article analyses how it was that the Sarmatian portrait, a phenomenon typical of Polish Baroque art in the twentieth century, came to be a symbol of Polishness, and to what extent this pop-cultural vision of the ‘Polish Baroque’ was formed by ...
Emilia Kłoda, Adam Szeląg
doaj
1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany, June 10, 1998 [PDF]
, 1998 This is the concert program of the 1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany performance on Wednesday, June 10, 1998 at 12:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Suite No. 3 in C major
School of Music, Boston University
core
Boston University Baroque Chamber Music, April 2, 2006 [PDF]
, 2006 This is the concert program of the Boston University Baroque Chamber Music performance on Sunday, April 2, 2006 at 7:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core