Results 71 to 80 of about 48,556 (178)
De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)
Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 265-286, September 2026.Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
wiley +1 more source
SHORT FICTION BY LUIS SEPULVEDA: NEO-BAROQUE TENDENCIES
Sovremennye Issledovaniâ Socialʹnyh Problem, 2019 Purpose. The work deals with short prose by Luis Sepulveda as an example of neo-baroque literature. The main purpose of the work is topic establishment of neo-baroque strategies in the short stories by L. Sepulveda.
Larisa Georgievna Khoreva
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Exploring EEG and ECG in Music Listening: A Scoping Review
Psychophysiology, Volume 63, Issue 9, September 2026.ABSTRACT Music listening, a common daily activity recognized for its emotional impact and ability to evoke memories, engages physiological and psychological processes. Concurrent electroencephalography (EEG) and electrocardiography (ECG) during music listening can inform our understanding of these processes.
Scott R. Leimroth +3 more
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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The beauty of the act – Figuring film and the delirious baroque in HOLY MOTORS
NECSUS, 2014 Leos Carax’s metamorphic Holy Motors (2012) has been received as evading conceptual, physical, and cinematic coherence. Drawing on Gilles Deleuze’s concept of the fold and Nicole Brenez’s work on the figural powers of the cinema, this article argues that
Saige Walton
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Renaissance Studies, Volume 40, Issue 4, Page 764-780, September 2026.Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
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Le style baroque dans l'architecture dans l'architecture des pays roumains
, 2013 Dès le xviie siècle, l’architecture des pays roumains comporte certains éléments isolés reflétant une influence baroque, mais les édifices de ce style sont datés du xviiie siècle. En Transylvanie, par exemple, si les formes créées par la Renaissance ont
Ionescu, Grigore
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Exhibitions on the Baroque as media of the construction of Austrian identities in the 20th century [PDF]
Journal of Art Historiography, 2016 This essay deals with the construction of national identity in Austria through museum presentations and exhibitions of Baroque art between 1900 and 1960. The approach understands museums and exhibitions as ‘media’ providing visual expression of a variety
Andreas Nierhaus
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Characterization of Lipizzan Horse Population From Lipica Stud Using Molecular and Pedigree Data
Animal Genetics, Volume 57, Issue 4, August 2026.ABSTRACT In this study, we analysed genetic diversity, population structure and inbreeding in the Lipica Stud Farm population by integrating pedigree records, microsatellite (STR) and genome‐wide SNP data generated using the GGP Equine 70K BeadChip. The dataset comprised 233 horses from the Lipica Stud Farm, which served as the reference population for
Tamara Ferme +4 more
wiley +1 more source
Ribald Man with a cranky look. The Sarmatian portrait as the pop-cultural symbol of the Baroque in Poland [PDF]
Journal of Art Historiography, 2016 This article analyses how it was that the Sarmatian portrait, a phenomenon typical of Polish Baroque art in the twentieth century, came to be a symbol of Polishness, and to what extent this pop-cultural vision of the ‘Polish Baroque’ was formed by ...
Emilia Kłoda, Adam Szeląg
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