Results 71 to 80 of about 139,864 (225)
“The works themselves refute geographical separatism”: Exhibiting the Baroque in Cold War Britain [PDF]
Journal of Art Historiography, 2016 This article examines the collaborative exhibition Baroque in Bohemia (1969) to analyse the significance of the baroque style in Cold War cultural diplomacy between Britain and Czechoslovakia.
Verity Clarkson
doaj
The Baroque: the intellectual and geopolitical reasons for a historiographical erasure
Les Dossiers du GRIHL, 2012 “The Baroque: the intellectual and geopolitical reasons for a historiographical erasure” highlights the need for a new way of conceptualizing the Baroque, taking into account the period’s plurality of discourses and diverging tendencies, specifically in ...
Jesús Pérez-Magallón
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Faculty Recital Series: French Masterworks, November 4, 2012 [PDF]
, 2012 This is the concert program of the Faculty Recital Series: French Masterworks performance on Sunday, November 4, 2012 at 7:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Aux origines du « baroque littéraire » en France : 1935-1950. Aperçus historiographiques
Les Dossiers du GRIHL, 2012 French academic research has always been reluctant to use the notion of baroque to typify the literary production of the period between the end of Renaissance and the beginnings of classicism. It is not before the opening of the fifties and the impact of
Guy Catusse
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L’échec et la splendeur : les allégories du baroque moderne dans l’œuvre d’Octavio Paz
IdeAs, 2018 This article addresses the theoretical, cultural, literary and artistic examination by Octavio Paz of the baroque and its relationship to modernity in his book devoted to the seventeenth-century Mexican poet, Sor Juana (Sor Juana: Or, the Traps of Faith).
Marcos Rico Domínguez
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INTRODUCTION: SCENES OF CLOSE READING
German Life and Letters, Volume 79, Issue 3, Page 281-297, July 2026.
Carolin Duttlinger +2 more
wiley +1 more source
Faculty recital series: Shiela Kibbe, April 7, 2009 [PDF]
, 2009 This is the concert program of the faculty recital of Shiela Kibbe on Tuesday, April 7, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Myrten, op.
School of Music, Boston University
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Becoming Space in Every Direction: Birdman as Post-cinematic Baroque
Cinéma & Cie, 2016 While the post-cinematic is typically understood as the passing of film-as-celluloid, the digital expressivity of film need not involve the loss of materiality.
Saige Walton
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Exemplo barroco: o paradigma poético de João Vário
Confluenze, 2010 João Vário, considered to be the “inventor” and the “master” of the currently prevailing poetic paradigm in Cape Verde, defined himself in different occasions as a “baroque” poet.
Rui Guilherme Gabriel
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Faculty recital series: Peter Zazofsky, violin, Robert Merfeld, piano, March 21, 2006 [PDF]
, 2006 This is the concert program of the Faculty recital series: Peter Zazofsky, violin, Robert Merfeld, piano performance on Tuesday, March 21, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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