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1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany, June 10, 1998 [PDF]

open access: yes, 1998
This is the concert program of the 1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany performance on Wednesday, June 10, 1998 at 12:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Suite No. 3 in C major
School of Music, Boston University
core  

Some Words in Reply

open access: yes
American Anthropologist, Volume 128, Issue 2, Page 424-426, June 2026.
Andrew Brandel
wiley   +1 more source

Barroco y modernidad: De Maravall a Lezama Lima

open access: yesOrbis Tertius, 2008
During the '60s and '70s, various lines of discussion around Baroque that had started at the beginning of the 20th century converge. Both in Europe and in America, and from different disciplines -philology, literary essay, rhetoric, history, philosophy ...
Edgardo Dobry
doaj  

Barroco contemporáneo

open access: yesOrbis Tertius, 2011
Contemporary Baroque is a category with vague limits. In order to delimit it, two approaches have been proposed. On the one hand, it is stated that Baroque returns since 1900; on the other, that it constitutes a long narrative, dating back to 1600 and ...
Ignacio Iriarte
doaj  

Presentazione [PDF]

open access: yesParole Rubate, 2020
Introduction
Pasquale Guaragnella
doaj  

Baroque Chamber Music, November 12, 1997 [PDF]

open access: yes, 1997
This is the concert program of the Baroque Chamber Music performance onWednesday, November 12, 1997 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Baroque Chamber Music, April 25, 1996 [PDF]

open access: yes, 1996
This is the concert program of the Baroque Chamber Music performance on Thursday, April 25, 1996 at 9:30a.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Les couleurs de Moscou et de Saint-Pétersbourg

open access: yesBulletin du Centre de Recherche du Château de Versailles, 2002
Moscow and Saint Petersburg experienced similar evolutions in colour, but the differences in their plans, urbanity and cultural influences, and their alternating roles as capitals, determined the particularities of their palettes.
Andrey Efimov
doaj   +1 more source

Boston University Baroque Chamber Music, April 2, 2006 [PDF]

open access: yes, 2006
This is the concert program of the Boston University Baroque Chamber Music performance on Sunday, April 2, 2006 at 7:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Шведский полонез из Тобольска. Опыт реконструкции барочной партитуры

open access: yesВестник музыкальной науки, 2014
Инструментальный манускрипт, составленный в Тобольске в 1715 г., недавно найден в Швеции, в нем зафиксированы фрагменты партитур западноевропейского светского репертуара рубежа XVII-XVIII вв. Статья посвящена реконструкции танца, состоящего из трех туров,
Недоспасова, Анна Павловна
doaj   +1 more source

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