Results 41 to 50 of about 133,468 (224)
La música de lo invisible: modelos iconográficos en el Saint François d'Assise de Olivier Messiaen [PDF]
, 2016 Saint François d’Assise (1983) es la única ópera del compositor francés Olivier Messiaen (1908-1992). El presente artículo propone un estudio de las referencias iconográficas que sirvieron a Messiaen de modelo para la caracterización musical y ...
Minguet, Vicent
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Melodies of the forest: Nature as an improvisational space for shared creative embodiment
People and Nature, EarlyView.Abstract In an era marked by increasing disconnection from nature, innovative approaches to reconnect with the environment are crucial for both ecological and psychological well‐being. This paper explores how natural environments (a deciduous forest of Quebec in the present case study) can serve as an improvisational space for shared creative ...
Antoine Bellemare‐Pepin +2 more
wiley +1 more source
Early use of the reinforced concrete in the architecture of the Historicism in Austria–Hungary
Structural Concrete, EarlyView.Abstract The study examines the early incorporation of reinforced concrete in the architecture of Historicism in Austria–Hungary. Spanning the late 19th to early 20th centuries, the research illuminates the period's stylistic pluralism and the transformative impact of reinforced concrete.
Éva Lovra, Zoltán Bereczki
wiley +1 more source
El nacionalisme musical de Felip Pedrell. Reflexions a l'entorn de Por nuestra música [PDF]
, 1991 Francesc Bonastre estudia el contenido ideológico y estético del importante manifiesto nacionalista pedrelliano, relacionándolo con el contexto histórico en que fue redactado.
Bonastre, Francesc,
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Sociabilidad, música y danza en el siglo XVIII [PDF]
, 2009 Textos de comunicaciones defendidas en la X Reunión Científica de la Fundación Española de Historia Moderna, previa evaluación ciega por pares.La ciudad en el siglo XVIII presenta un panorama de gran riqueza lúdicamente hablando.
Bejarano Pellicer, Clara
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Actionable visualization principles and guidance for a foundational university data science course
Teaching Statistics, EarlyView.Abstract When teaching how to describe and apply good practices for visualizing data, we need to define “good”. Several sets of guidelines about good visualization practice exist in the literature and online, though each set focuses on different aspects of visualization and their level ranges from very general to very specific.
David C. Sterratt +2 more
wiley +1 more source
La figura del maldito en Richard Wagner [PDF]
, 2014 Recoge los trabajos presentados en el II Congreso sobre arte, literatura y cultura gótica urbana, celebrado en mayo 2013 en la Universidad Autónoma de MadridLa maldición es un tema recurrente en la literatura romántica.
Salmerón Infante, Miguel
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BEHIND THE FACES OF AESTHETICIZED URBANISM IN TUNXI, CHINA
International Journal of Urban and Regional Research, EarlyView.Abstract Urban policy in China has become increasingly predicated on securing an approved aesthetic that reflects ideological campaigns and political programmes. In highlighting the role of the aesthetic in Chinese urbanism, this article argues that the party‐state draws on an aesthetic palette that places the contemporary urban landscape in a ...
Yanpeng Jiang, Paul Waley, Asa Roast
wiley +1 more source
Anales del Seminario de Historia de la Filosofía, 2020 En este artículo tratamos de comprender la importancia de la metáfora del theatrum mundi para la configuración de la Edad Moderna. Tras una breve introducción sobre la idea de Edad Moderna, tratamos la distinción entre antiguos y modernos desde la ...
Daniel Martín Sáez
doaj +1 more source
The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music
The British Journal of Sociology, EarlyView.ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
wiley +1 more source