Results 1 to 10 of about 184 (52)

The Dancer And The Übermarionette: Isadora Duncan and Edward Gordon Craig [PDF]

open access: diamond, 2017
Olga Taxidou analyzes the ambiguous concept for which Edward Gordon Craig is best known—the “übermarionette”—alongside Isadora Duncan’s discussions of the liberated dancer.
Olga Taxidou
openalex   +4 more sources

La velocità del cavallo e quella della lumaca: teorie e pratiche della Übermarionette in Gordon Craig [PDF]

open access: closed, 2018
Contrariamente al suo ben noto principio, "dopo la pratica, la teoria", Edward Gordon Craig sognò l'Übermarionette e scrisse il suo famoso saggio su di esso ("L'attore e la Übermarionette", datato marzo 1907) prima che avesse la possibilità di ...
Paolo Sommaiolo
openalex   +2 more sources

Becoming a Gordon Craig: Micheál mac Liammóir and Edward Gordon Craig’s Shared Beliefs and Performances of Self

open access: yesReview of Irish Studies in Europe, 2021
Micheál mac Liammóir (1898-1978) and Edward Gordon Craig (1872-1966) shared many similarities: both were actors, designers, directors, and writers, and both rejected the realist tradition dominant in the theatre of their times.
Chris Moran
doaj   +3 more sources

Contents - Edward Gordon Craig Special Issue 2017 [PDF]

open access: yes, 2017
Cover, front matter, and contents for Mime Journal Special Issue, Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig.
Buckley, Jennifer A, Holt, Anne
core   +4 more sources

La muerte de Edward Gordon Craig: visualidades místicas de un pensamiento Über [PDF]

open access: yes, 2023
The appeal to plasticity is one of the fundaments of the visual proposition from the new scenic art inaugurated by Eduard Gordon Craig in the beginning of the 20th century.
Silva Filho, Almir Ribeiro da   +2 more
core   +2 more sources

Edward Gordon Craig, Étienne Decroux, and the Rediscovery of Mime [PDF]

open access: yes, 2017
In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux ...
Grossman, Harvey
core   +3 more sources

La muerte animada. Edward Gordon Craig y la visualidad del teatro de lo inanimado

open access: yesTelondefondo : Revista de Teoría y Crítica Teatral, 2011
El teatro de objetos explicita la íntima relación entre el teatro y la muerte, donde cuestiones arquetípicas y primitivas conviven con vanguardismos creando interfaces con diversas vertientes y lenguajes artísticos.
Almir Ribeiro
doaj   +1 more source

The Revolutionary: On Isadora Duncan and Edward Gordon Craig [PDF]

open access: yes, 2017
Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career.
Belilove, Lori, Buckley, Jennifer A
core   +3 more sources

A Marionete em Chamas - O Teatro-dança Clássico da Índia e o Über-marionette de Gordon Craig: processos de Marionetização do ator

open access: yesPitágoras 500, 2017
Gordon Craig idealizou seu Über-marionette como uma crítica ao teatro centrado na personalidade. Para alicerçar sua criação, buscou inspiração no teatro asiático e em suas formas animadas, e com isso, se acercou do processo de marionetização presente ...
Almir Ribeiro
doaj   +1 more source

« En entrant dans la Maison des Visions » : la Surmarionnette et ses modèles antiques [PDF]

open access: yes, 2005
Une longue citation attribuée à Hérodote est intégrée par Craig dans son manifeste « L’acteur et la Surmarionnette ». Après avoir examiné les raisons qui conduisent à penser qu’il s’agit d’un faux, non ...
Plassard, Didier
core   +1 more source

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