Results 1 to 10 of about 75,062 (212)
The ideology of moderated modernism in Serbian music and musicology [PDF]
Muzikologija, 2007 The term ′moderated modernism′ has been current for quite some time in Serbian music historiography, but there have been only a few attempts to define it. I shall try to define the term, introduce some of its key concepts and features and demonstrate its
Medić Ivana
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Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context [PDF]
Muzikologija, 2022 In this paper, the territorial frameworks are set with the aim of forming a regional historical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music historiographies.
Sovtić Nemanja
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Different shapes of modernism/neoclassicism: Case study of Dušan Radić’s creative output [PDF]
Muzikologija, 2006 This paper deals with musical neoclassicism in the context of modernism, and shows that some neoclassical features, usually considered to be reactionary and retrograde, could and should be understood as modernist.
Mikić Vesna
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Postmodern Aspects of Electronic and Multimedia Music
Jurnal Kajian Seni, 2020 Modernism spirit in the music of doing something new, create innovation and so on now facing an obstacle because material progression in new music become smaller and smaller.
Septian Dwi Cahyo
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The ideology of Yugoslav nationalism and primordial modernism in interwar music [PDF]
Muzikologija, 2011 In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia.
Atanasovski Srđan
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The stages of modernism in Serbian music [PDF]
Muzikologija, 2006 In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general.
Milin Melita
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Current Musicology, 2005 Long admired for judicious analysis steeped in history, from Schoenbergian Brahms to Brahmsian Schoenberg, Walter Frisch, in German Modernism: Music and the Arts, topples a historiography in place for at least sixty years.
Karen Painter
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Curious Intersections, Uncommon Magic: Steve Reich’s It’s Gonna Rain
Current Musicology, 2005 1965 was a watershed year in the life of Steve Reich. Following numerous experiments with magnetic tape, he had, while creating his tape piece It’s Gonna Rain, identified a fascinating process that would serve as the basic compositional tool of his ...
Martin Scherzinger
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