Results 21 to 30 of about 75,161 (311)

Sublime borders: modernism, music and the negative

open access: yesPerspectiva Filosófica, 2017
 “After the fall of formal beauty, the sublime was the only aesthetic idea left to modernism” (Adorno 1997: 197). Positioning at its core the category of the sublime, the modernist aesthetic famously engenders a problematic relationship between music ...
Mauro Fosco Bertola
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The Routledge Research Companion to Modernism in Music

open access: yesMuzikološki Zbornik, 2020
Urediti zbornik na takó izmuzljivo temo, kot je »modernizem v glasbi«, je precej zahtevna naloga, ki sta ji bila urednika Björn Heile in Charles Wilson več kot kos z delom The Routledge Research Companion to Modernism in Music.
Leon Stefanija
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Painting with sound: the kaleidoscopic world of Lance Sieveking, a British Radio Modernist [PDF]

open access: yes, 2013
In the late 1920s, British Radio became briefly and creatively entwined with a broader modernist culture. Largely through a series of spectacular programmes such as The Kaleidoscope (1928), made by the producer Lance Sieveking, the BBC started to develop
Hendy, D J
core   +1 more source

Art of Jazz: FORM / PERFORMANCE / NOTES

open access: yesPanorama, 2016
If American modernism had a soundtrack, it would be jazz. A homegrown genre, its music came to define the burgeoning northern cities, the cultural forms of black expression, and an avant-garde impetus to question established boundaries.
Kelsey Gustin
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The compass revisited: Rewriting histories of music in the south [PDF]

open access: yesMuzikologija, 2018
The history of music in the countries of Southern Europe has, in general, been examined either from the West or from the East. This has had to do with traditional and univestigated assumptions of divisions on religious and linguistic grounds ...
Moody Ivan
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Beyond Postmodernism? Prince and Some New Aesthetic Strategies

open access: yesMuzikološki Zbornik, 2006
Former postmodernist Prince’s album Musicology (2004) re-occupies authorship and history, evoking a »real«, non-technological kind of music in the line of funk and hip-hop.
Christian Bielefeldt
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Nestor Nyžankivskyj, ukrajinský žák Vítězslava Nováka

open access: yesMusicologica Brunensia, 2020
The study provides the basic biographical data and evaluation of the work of a West Ukrainian composer and pianist Nestor Nyzhankivsky (1893–1940), who was educated in music in Lviv and Vienna.
Petr Kalina
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„Brzoza” – filmowy „Gesamtkunstwerk” Ante Babai

open access: yesPoznańskie Studia Slawistyczne, 2012
The  Birch  Tree  (1967),  directed  by  Ante  Babaja,  is  one  of  the  most outstanding  achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism.
Patrycjusz Pająk
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Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum

open access: yesCurrent Musicology, 2008
Andy Hamilton’s Aesthetics and Music is an unusual concoction: one part history of the aesthetics of music, one part review of recent work in the Analytic philosophy of music, and one part original contribution to musical aesthetics. Published as part of
Brian Kane
doaj   +1 more source

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