“Are you Navajo or Inuit?” Identity, television dialogue, and Indigenizing semiotics
Abstract This study analyzes Indigenizing semiotic tactics in television narratives from the United States, combining corpus linguistic methodology with a theoretical framing inspired by linguistic anthropology. Given recent changes in the US television landscape, we analyze two landmark series with First Nations showrunners: Reservation Dogs and ...
Monika Bednarek, Barbra A. Meek
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Humour, Transcendence, and Selfhood: An Essay on Lightness and Truth
Abstract This article is concerned with a ‘lightness that is as far as possible from triviality’. It argues, firstly, that a connection can be drawn between comic perception and pictures of reality that entail transcendence, understood as an otherness at the heart of things that may be indirectly glimpsed but never fully grasped as the object of fixed ...
Simon Ravenscroft
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ТНЕ ТНЕМЕ OF HOLY FOOLISHNESS IN THE LITERARY WORKS OF F. M. DOSTOEVSKY
The article deals with the reflection of lexical units of the theme “foolishness” in F.M. Dos-toevsky’s “The Idiot”, gives a typology of characters with traits characteristic of holy fools, highlighting their characteristics in the aspect of the ...
V B Gomes Dias, I A Leksina
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ABSTRACT Background Despite advances in diabetes care, many people with Type 1 Diabetes (T1D) still experience persistent hyperglycaemia, leading to reduced quality of life and increased risk of long‐term complications. For some, this hyperglycaemia is linked to factors like co‐morbidities, socio‐economic challenges, or low health literacy.
Berit Kjærside Nielsen +5 more
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Abstract This paper argues that Nietzsche is deliberately imprecise in his characterization of what he calls the slave revolt in morality. In particular, none of the people or groups he nominates as instigators of the slave revolt, namely, Jewish priests, the Jewish people, the prophets, Jesus, and Paul, were literally slaves.
Ken Gemes
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Polish screenings of the russian novel (visual interpretations of novels of F.M. Dostoevsky Idiot and of M.a. Bulgakov Master and Margarita) The article analyzes the features of the film adaptation of the novel, the problems of transmitting the text ...
Galina Nefagina
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Will “you be found?”—Intratextual social media and going viral in the contemporary teen musical
Abstract As musical theater has gained traction with younger audiences, producers have put out numerous new shows that focus on the modern high school experience in an attempt to capture this target audience. Social media has moved beyond being an off‐stage marketing tactic and has since warped into an on‐stage plot device to feel authentic to ...
Emry Sottile
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Problems of Studying the Handwritten and Printed Text of Dostoevsky’s Novel "Idiot" [PDF]
The article is devoted to the textual analysis of the manuscripts and printed text of Dostoevsky’s novel «Idiot». The study allows to clarify the dates of some author’s notes and to discover new facts on the history of the text and the creative history ...
Natalia A. Tarasova
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Accounts of perspective taking in narrative
Abstract This paper gives an overview over two different kinds of protagonists' perspective taking in narrative texts, Free Indirect Discourse (FID) and Protagonist Projection (PP)/Viewpoint Shifting (VS), and the most important analyses of these phenomena that have been proposed within the framework of formal semantics and pragmatics.
Stefan Hinterwimmer
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Images of Books in Fyodor Dostoevsky’s Novel The Idiot. Review of the Collective Monograph: Kasatkina, Tatiana A., Corbella, Caterina, Magaril-Il’iaeva, Tatiana G., and Nikolay N. Podosokorsky. Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot. Ed. T.A. Kasatkina. Moscow, IWL RAS Publ., 2024. 392 p [PDF]
The review examines the collective monograph by Tatiana Kasatkina, Caterina Corbella, Tatiana Magaril-Il’iaeva, and Nikolay Podosokorsky titled Books in the Book. The Role and Image of Books in Fyodor Dostoevsky’s Novel The Idiot (Ed. T.A.
Valentina V. Borisova
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