Results 41 to 50 of about 2,388 (164)

Nawidzenie. O kino-myśleniu poza metafizyką na przykładzie filmu Abbasa Kiarostamiego „Smak czereśni” (przypis do Jeana-Luca Nancy’ego)

open access: yesKwartalnik Filmowy, 2016
Celem tekstu jest refleksja nad możliwością myśli filmowej poza uwarunkowaniami metafizyki. Esej rozważa tę kwestię na marginesie filmu Abbasa Kiarostamiego Smak czereśni, w nawiązaniu do myśli Martina Heideggera i Jeana-Luca Nancy’ego.
Janusz Bohdziewicz
doaj   +1 more source

Lo sguardo del cinema. Nota sull'ontologia dell'immagine filmica nel pensiero di Jean-Luc Nancy

open access: yesRivista di Estetica, 2011
The present essay seeks to analyze the reflections on cinematographic art proposed by Jean-Luc Nancy, referring in particular to his L’Évidence du film.
Domenico Spinosa
doaj   +1 more source

Asghar Farhadi: Acknowledging Hybrid Traditions: Iran, Hollywood and Transnational Cinema [PDF]

open access: yes, 2016
Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional simplicity. The work of Asghar Farhadi stands as an exception to this canon.
Rugo, D
core   +1 more source

Micropropagation of Eucalyptus maculata from Mature Stock by tissue culture [PDF]

open access: yesتحقیقات جنگل و صنوبر ایران, 2013
Due to Eucalyptuspotential as a fast growing species, its utilization for afforestation and industrial and medical purposes is very important. E. maculata Hook.
Abbas Ghamari Zare   +4 more
doaj   +1 more source

Sociología y didáctica de la muerte en la cinematografía de Kiarostami [PDF]

open access: yes, 2011
Las películas del director iraní Abbas Kiarostami se caracterizan por un lenguaje cinematográfico dialéctico y ético. Ambas características, como se expondrá, se relacionan mutuamente y sirven para comprender su peculiar sociología y didáctica de la ...
Ferrer, Anacleto   +1 more
core  

Slow time, visible cinema : duration, experience, and spectatorship [PDF]

open access: yes, 2016
This article examines how the body of films commonly described as “slow cinema” require the film theater for their spectatorial contract to be fully met, an aspect illustrated by recent durational films that focus on the theatrical experience as a theme ...
de Luca, Tiago
core   +1 more source

Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up' [PDF]

open access: yesZbornik Radova Akademije Umetnosti
This paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami.
Šabotić Sead
doaj   +1 more source

Memória visual e imaginação criadora nas estradas de Kiarostami

open access: yesRevista Ibero-Americana de Estudos em Educação, 2016
Partimos do sentimento de inquietação provocado pelo contato com imagens cujo aspecto inconcluso sobressai ao desejo de entendimento racionalmente organizado.
Alan Victor Pimenta
doaj   +1 more source

UN ABORDAJE DE “FIVE” DE ABBAS KIAROSTAMI

open access: yesQuestion, 2007
Se trata de una producción cinematográfica de Abbas Kiarostami, dedicada al cineasta japonés Yasujiro Ozu. Es un ensayocinematográfico de contemplación al borde del mar en cinco momentos que el testimonio captado por la mirada.Toda dedicatoria supone en ...
Stella Maris Molina
doaj  

Gyermek-kör. A gyermekmotívum a kortárs iráni filmben [PDF]

open access: yes, 2006
Az iráni gyermekkor sajátossága abban rejlik, hogy gyermekhez nem hozzárendelhető funkciókat kényszerít rá az iszlámban vagy a történelmi helyzetben gyökerező társadalmi ...
Farkas, György
core   +1 more source

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