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Ploughshares, 2022
:The Spring 2022 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining ...
A. Kiarostami, Kaveh Akbar, Arman Salem
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:The Spring 2022 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining ...
A. Kiarostami, Kaveh Akbar, Arman Salem
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Abbas Kiarostami, Global Art Cinema and the Material Imagination of Earth
Studies in World Cinema, 2023This article examines the multiform appearance of elemental earth in the 1990s films of Iranian director Abbas Kiarostami, including Life and Nothing More, Through the Olive Trees, Taste of Cherry, and The Wind Will Carry Us.
Graig Uhlin
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2023
This chapter examines Abbas Kiarostami’s leadership legacy from two interrelated perspectives: as an Iranian filmmaker and a Muslim humanist. Around both these identities, Kiarostami’s life and work offer valuable lessons to educators for examining and teaching about contemporary challenges and dilemmas facing Muslim artists and intellectuals in ...
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This chapter examines Abbas Kiarostami’s leadership legacy from two interrelated perspectives: as an Iranian filmmaker and a Muslim humanist. Around both these identities, Kiarostami’s life and work offer valuable lessons to educators for examining and teaching about contemporary challenges and dilemmas facing Muslim artists and intellectuals in ...
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A thwarted search, an ethical awakening: Levinasian subjectivity in the cinema of Abbas Kiarostami
Research in education (Manchester)This article brings Abbas Kiarostami’s Where Is the Friend’s House? into dialogue with Emmanuel Levinas’s ethical philosophy to critically examine the film’s pedagogical implications.
Amin Izadpanah, Sajad Kabgani
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Angelaki, 2012
This essay begins by offering a reading of Iranian filmmaker Abbas Kiarostami's Certified Copy (2010), in which we are unable to decide whether or not the couple we see there is married. But rather than coming down ourselves on one side or another, we ask why it is that their love for each other might be expressed only through their game-playing.
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This essay begins by offering a reading of Iranian filmmaker Abbas Kiarostami's Certified Copy (2010), in which we are unable to decide whether or not the couple we see there is married. But rather than coming down ourselves on one side or another, we ask why it is that their love for each other might be expressed only through their game-playing.
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ABBAS KIAROSTAMI, O SABOR E A POESIA DO CINEMA IRANIANO: COM GOSTO DE CEREJA, O VENTO NOS LEVARÁ
ARACÊA afirmação de Jean-Luc Godard de que “O cinema começa com D. W. Griffith e termina com Abbas Kiarostami”, demonstra tamanha importância e genialidade do realizador iraniano Abbas Kiarostami. Neste artigo faremos uma reflexão sobre a narrativa fílmica de
Bento Matias Gonzaga Filho
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Abbas Kiarostami. Cinéaste iranien
Hommes & migrations, 1992Videau André. Abbas Kiarostami. Cinéaste iranien. In: Hommes et Migrations, n°1151-1152, Février-mars 1992. Une autre Allemagne. Migrations et société multiculturelle en RFA. pp. 108-110.
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