Results 21 to 30 of about 318,954 (253)
Przedmiotem analizy w artykule jest Przemiana (1915) Franza Kafki. Autorka podejmuje próbę uchwycenia różnorodnych aspektów fenomenu przestrzeni kafkowskiej w kontekście funkcjonowania motywu murów/ścian/sufitów w tym bodaj najsłynniejszym opowiadaniu ...
Brygida Pawłowska-Jądrzyk
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THE ABSURD CHARACTER- “THE STRANGER” AND “THE LOST ONE” - ALBERT CAMUS AND FATOS KONGOLI
This paper addresses the concept of the absurd in Albert Camus’s The Stranger and Fatos Kongoli’s The Lost One, works that come from different temporal and regional realities.
Elita OMAJ, Meral SHEHABI-VESELI
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EMBRACING THE ABSURD CONDITION OF EXISTENCE IN SAMUEL BECKETT'S ENDGAME CHARACTERS
This research initially attempts to determine characteristics and characterization of the characters; Clov, Hamm, Nagg, and Nell, as well as how it represented the concept of absurdity.
Restu Dwi Gilang Permana, Dewi Kustanti
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An Absurd Consequence of Stanford’s New Induction Over the History of Science: A Reply to Sterpetti [PDF]
In this paper, I respond to Sterpetti’s attempt to defend Kyle P. Stanford’s Problem of Unconceived Alternatives and his New Induction over the History of Science from my reductio argument outlined in Mizrahi :59–68, 2016a).
Mizrahi, Moti
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Gib Mihăescu – universul prozei scurte [PDF]
The most valuable part of Gib Mihăescu’s work consists of his short stories. As it is often and legitimally claimed, no other Romanian writer has ever described the avatars of the obsession as well as him.
Andrei Baciu
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This study explores the origins of life by linking prebiotic chemistry, the emergence of information‐carrying molecules such as RNA and proteins, and philosophical questions about consciousness. The study emphasizes the role of molecular evolution in the Central Dogma and provides insights into the chemical origins of biology and the basis of life's ...
Harald Schwalbe +5 more
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The Burden of Knowing: Camus, Qohelet, and the Limitations of Human Reason [PDF]
In one of the most influential works of the twentieth century, The Myth of Sisyphus, Albert Camus writes this: “This heart within me I can feel, and I judge that it exists. This world I can touch, and I likewise judge that it exists.
Morgan, Justin K
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Abstract This paper examines the gap in number skills between socioeconomically disadvantaged and non‐disadvantaged children in the first year of compulsory schooling in England. Past research mostly relies on statutory assessment data collected towards the end of the first year of school and does not show the attainment gap associated with ...
Martin Culliney, Joanne Robson
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The Confidence-Man: His Masquerade, or the promise of “something further”
Initially criticized for its generic confusion and singular narrative choices, Herman Melville’s The Confidence-Man: His Masquerade (1857) was rehabilitated by twentieth-century critics who praised its modernity. By staging a trip on the Mississippi, the
Thomas Velasquez
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Absurdist Drama and Its Academical Reception in Russian and Western Literary Criticism
This paper attempts to identify and systematize the main approaches to the theater of absurd and absurdist drama in Western and Russian literary studies. The term theater of the absurd was originally introduced by Martin Esslin. This concept has become a
P. E. Zhilichev
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