Technique and image in Aby Warburg
Estudios de Teoría Literaria, 2022 In this article a specific kind of access to Aby Warburg’s work is intended through the idea of “technique”. Notions such as “Denkraum”, “image” and “magic” are read in a manner that links the artistic technique with the Warburg’s critique of technique ...
Néstor Facundo Cognigni
doaj +1 more source
Palíndromo, 2019 Das investigações historiográficas de Aby Warburg emergem modos de ver e escrever as artes, operando com o textual e o visual, palavra e imagem, logos e pathos. Suas coordenadas metodológicas voltavam-se ao problema da criação e transmigração das imagens,
Thays Tonin
doaj +3 more sources
Aby Warburg ve Sinema İlişkisi Üzerine Bir Deneme
Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2023 Sanat tarihine yepyeni bir soluk getiren Aby Warburg, 1924-1929 yıllarında adını bellek tanrıçası Mnemosyne’den alan bir Bellek Atlası oluşturur. Warburg, sanat tarihinin, doğrusal zaman anlayışına dayalı ve birbiri ardına gelen sanat akımlarının tarihi ...
Behçet Güleryüz
doaj +2 more sources
Engrams for Lepanto : Aby Warburg, Cy Twombly, and the painting as memory trace [PDF]
, 2014 This paper will explore the application of the concept of Pathosformel (pathos formula), as pioneered in the work of the art historian Aby Warburg (1866–1929) for understanding the relationship between Classical and Renaissance art, in developing a ...
Corin Depper
openalex +2 more sources
‘”Cannon fodder for respectable question marks”: Fritz Saxl and the history of the Warburg Library’. Review of: Dorothea McEwan, Fritz Saxl – Eine Biografie: Aby Warburgs Bibliothekar und Erster Direktor des Londoner Warburg Institutes, Wien, Köln, Weimar: Böhlau Verlag, 2012 [PDF]
Journal of Art Historiography, 2013 As the first Archivist of The Warburg Institute, University of London, from 1993 until her retirement in 2006, Dorothea McEwan compiled the database of the Aby Warburg Correspondence.
Mark A. Russell
doaj +1 more source
Jacob Burckhardt e Aby Warburg: da arte à civilização italiana do Renascimento
Locus, 2006 Entre as obras de Jacob Burckhardt (1818-1897) e de Aby Warburg (1866-1929) há um intrincado campo de relações que, se perseguido de perto, pode iluminar os estudos sobre a historiografia vol tada para a arte italiana do Renascimento.
Cássio da Silva Fernandes
doaj +1 more source
Aby Warburg e a pós-vida das Pathosformeln antigas
História da Historiografia, 2010 O artigo analisa os conceitos de “pós-vida” da Antiguidade (das Nachleben der Antike) e de “fórmula de páthos” (Pathosformel), como pensados pelo historiador da arte e da cultura o alemão Aby Warburg (1866-1929) em seus escritos sobre o Renascimento ...
Felipe Charbel Teixeira
doaj +5 more sources
‘Out of the shadows? Discovering Mary Warburg’. Review of: Hedinger, Bärbel; Diers, Michael (Eds.): Mary Warburg. Porträt einer Künstlerin. Leben, Werk, München: Hirmer Verlag 2020 [PDF]
Journal of Art Historiography, 2021 This book review discusses the lavishly illustrated catalogue raisonné of the work of Mary Warburg, nee Hertz. Warburg is undoubtedly best known as the wife of art historian Aby Warburg.
Hans Christian Hönes
doaj +1 more source
Aby Warburg e il dramma barocco
Aisthesis, 2012 Analogies, contaminations and assonances between certain aspects of the thought of Aby Warburg and Walter Benjamin are still at the center of the contemporary theoretical debate.
Claudia Cieri Via
doaj +5 more sources
Visualidades, 2019 Um dos temas centrais na obra do historiador da arte, Aby Warburg (1866-1929), foi por ele denominado “o fenômeno das trocas entre as culturas do Sul e do Norte”.
Cássio Fernandes
doaj +1 more source