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Being antiracist comes at a cost. As Dr. Patrick outlined,[1][1] CMAJ publishing antiracist scholarly commentary[2][2] has been met with criticism. Similarly, medical learners can also face resistance when standing up for ourselves. When a patient asked me if I eat bats, I ignored it.
Lau, Geoffrey, Leong, Renata
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Fundamentals of the historical development of theater acting from Ancient Greece and Rome to the modern and avant-garde [PDF]
The research subject of this paper is oriented on the development of acting through the focus of the actor as an artist and acting itself as an art. Answers are given in the paper, who were all the actors and what acting tools they used.
Božić Vanda B.
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The image of Chinese and Japanese Theatre in selected popular and artistic press printed in Poland in 1930s [PDF]
Journalists who described Oriental theatres usually based their narrative on personal experience. Both specialist, mass and popular press paid particular attention to elements that distinguished Japanese and Chinese theatre from their European ...
Katarzyna Michalewicz
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الکنز الطارف في شرح قواعد المصارف شرح أهم القواعد الفقهية المتعلقة بعمل المصارف الإسلامية. [PDF]
البحث في شرح أهم القواعد الفقهية في تعاملات البنوک الإسلامية، وإمکانية تحويل کثير من العقود غير الشرعية بها إلى العقود المشروعة من خلال تجنب الشروط التي تجعلها محرمة، وينقسم البحث إلى مقدمة وتشمل: سبب اختيار الموضوع وأهميته، والدراسات السابقة، وحدود ...
محمد بن إبراهيم النملة
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Jean-Nicolas Servandoni D’Hannetaire et ses filles, gloires du théâtre de la Monnaie
This article is an attempt at a biographical reconstruction of three emblematic characters of the Brussels theatrical scene: Jean-Nicolas Servandoni, known as D’Hannetaire, secret son of the architect Servandoni, who was director of the Théâtre de la ...
Jean-Philippe Van Aelbrouck
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The article examines the intertextual constituent of the short story by I. A. Bunin “The Case of the Cornet Elagin”. It is shown that Bunin’s short story seems to lead a dialogue with the novel by F. M. Dostoevsky “The Karamazov Brothers”.
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Teaching acting to singers: harnessing historical techniques to empower modern performers
This thesis examines how seventeenth- and eighteenth-century acting techniques could be used in conjunction with twentieth- and twenty-first-century theory and praxis to create modern acting tools for the dramatic training of classical singers. Classical
Kyropoulos, Dionysios
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Creative Drama in Verbal Skill Training: A Case Study of 13–15-Year-Old Boys in Robat Karim, Iran [PDF]
Adolescence is a period that has been recognized in recent decades as a special age group, and is generally referred to as a transitional period between childhood and adulthood.
Amir Hossein Keshavarz Jebeli +1 more
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My aim in this article is threefold. First, to identify the function of tautology in Catholic Charismatic religious practices. Second, to analyze the formal structure of tautology as an embodied regime of citationality. Third, to expose how Charismatic practice both mirrors and anticipates the unfolding dramaturgy of sovereignty within current populism
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Active Analysis as an Acting Method
Konstantin Stanislavski developed a brand-new working method in the last years of his life called active analysis that was different from the methods he had previously introduced. Active analysis is an acting method that does not appear in Stanislavski’s
Nazım Uğur Özüaydın
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