Results 51 to 60 of about 4,501,952 (191)

Corporal Mimesis: creative observation

open access: yesRevista Brasileira de Estudos da Presença, 2021
This article examines corporal mimesis, a technique created and developed by LUME Teatro. The objective is to explain how, with this technique, the performer poetically embodies different stimuli that are found in everyday life, be they people, images ...
Belén Buendía
doaj  

Psychological Content of Theatre Pedagogy: Cultural and Historical Approach

open access: yesВестник Московского университета. Серия 14: Психология
Background. The article covers the problem of psychological content of theatrical pedagogy. The authors note that as theatrical pedagogy is widely used as a method, it is important to clarify the goals it can be aimed at. Objective. The purpose of the
Gennady G. Kravtsov, Oleg G. Kravtsov
doaj   +1 more source

Per l'analisi dell'oralità nei cantari

open access: yesCarte Romanze, 2016
Il cantare, genere di difficile definizione, si estende per un arco temporale di quasi due secoli (tra 1300 e 1500) e si identifica con un corpus di testi decisamente eterogeneo.
Anna Spiazzi
doaj   +1 more source

Hyperbolic groups acting improperly

open access: yes, 2018
In this paper we study hyperbolic groups acting on CAT(0) cube complexes. The first main result (Theorem A) is a structural result about the Sageev construction, in which we relate quasi-convexity of hyperplane stabilizers with quasi-convexity of cell ...
Groves, Daniel, Manning, Jason F.
core  

Acting the act in The Changeling [PDF]

open access: yesRevista Alicantina de Estudios Ingleses, 1995
This paper focuses on the dumb-show which opens Act IV of Middleton and Rowley's The Changeling. Using evidence from other Renaissance drama and from within the play itself for the use of the word "act" to describe the interval between the acts, the paper argues that the dumb-show ostensibly offers one kind of act but in fact serves as a metaphoric ...
openaire   +2 more sources

The mass person and their speech roles of a simpleton, a buffoon, a mentor in the Russian prose of the 1920s

open access: yesСемиотические исследования
The scientific review deals with the understanding of the image of the mass person in the literature of the 1920s. The focus of our attention includes both the actual literary texts of the writers of this decade, as well as fundamentally important ...
Sergey A. Golubkov
doaj   +1 more source

Embodied Cognition in Performance: The Impact of Michael Chekhov’s Acting Exercises on Affect and Height Perception

open access: yesFrontiers in Psychology, 2019
Modern embodied approaches to cognitive science overlap with ideas long explored in theater. Performance coaches such as Michael Chekhov have emphasized proprioceptive awareness of movement as a path to attaining psychological states relevant for ...
Ana Hedberg Olenina   +3 more
doaj   +1 more source

“Truthful” acting emerges through forward model development [PDF]

open access: yes, 2016
Open peer commentary on the article ““Black Box” Theatre: Second-Order Cybernetics and Naturalism in Rehearsal and Performance” by Tom Scholte. Upshot: My aim is to show that “truthful” acting that emerges through improvisation is equivalent to the ...
Porr, Bernd
core  

New examples of groups acting on real trees

open access: yes, 2015
We construct the first example of a finitely generated group which has Serre's property (FA) (i.e., whenever it acts on a simplicial tree it fixes a vertex), but admits a fixed point-free action on an $\mathbb{R}$-tree with finite arc stabilizers.
Minasyan, Ashot
core   +1 more source

Isometry groups of Lobachevskian spaces, similarity transformation groups of Euclidean spaces and Lorentzian holonomy groups [PDF]

open access: yes, 2004
Weakly-irreducible not irreducible subalgebras of $\so(1,n+1)$ were classified by L. Berard Bergery and A. Ikemakhen. In the present paper a geometrical proof of this result is given.
Galaev, Anton S.
core   +1 more source

Home - About - Disclaimer - Privacy