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This dissertation deals with the tragic vision that motivates certain key aspects of Theodor W. Adorno’s philosophy. While in the formative early work, the Dialectic of Enlightenment, co-written with Max Horkheimer, the tragic views are clear, in later works, such as the Aesthetic Theory and the Negative Dialectics, they are only implicit.
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The Social Character of Literature: Adorno The Legacy of the Aesthetics of German Idealism [PDF]
Mario Farina
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Politics and contemporary poetry [PDF]
The paper is a Meditation (variant on the manner of Aurelius and Descartes) concerning the immediate situation, in the United States, of poetry as a discourse of political engagement. As such, the paper is a highly personal one.
McGann, Jerome J.
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Conceptions of Critique in Modern and Contemporary Philosophy [PDF]
Freyenhagen, F
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