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1997
Abstract Aeschylus? Aeschylus? Was this not the man who fought at Marathon and Salamis against the forces of the East? The poet who first articulated the antithesis of Hellene and barbarian, and posited the all-round inferiority of the latter to the former?
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Abstract Aeschylus? Aeschylus? Was this not the man who fought at Marathon and Salamis against the forces of the East? The poet who first articulated the antithesis of Hellene and barbarian, and posited the all-round inferiority of the latter to the former?
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1992
Abstract Moving from archaic poetry to drama we return to a genre which, like epic, represents the action of human characters in a context in which they possess their own status, function, and motivation, and which involves their interaction both with the events which constitute the plot of the piece and with other characters; we are ...
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Abstract Moving from archaic poetry to drama we return to a genre which, like epic, represents the action of human characters in a context in which they possess their own status, function, and motivation, and which involves their interaction both with the events which constitute the plot of the piece and with other characters; we are ...
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2017
Only two operas drawn from a tragedy by Aeschylus were composed during the seventeenth and eighteenth centuries, despite this being a peak period for the use of Greek and Roman material. Stories from Greek myth were popular from the start, but no actual Greek tragedies were adapted for the stage for sixty years after the first opera (Peri's Dafoe of ...
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Only two operas drawn from a tragedy by Aeschylus were composed during the seventeenth and eighteenth centuries, despite this being a peak period for the use of Greek and Roman material. Stories from Greek myth were popular from the start, but no actual Greek tragedies were adapted for the stage for sixty years after the first opera (Peri's Dafoe of ...
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Critical Approaches to Aeschylus, from the Nineteenth Century to the Present
2023Mark Griffith
exaly