Results 1 to 10 of about 1,168 (175)
Other and Alien: Faces of Medea in Dramatic and Stage Interpretations of 20th-21st Centuries
Научный диалогThis study analyzes the discourse of the Other and the Alien in transformations of the Medea narrative from the 20th to the 21st centuries, prominently seen through binary dramaturgical parallels in the works of H. H. Jahnn, G. Butler, H.
T. A. Sharypina
doaj +1 more source
Euripides'te Barbar İmgesi ve Atina İmparatorluğu
Artuklu HumanitiesBu çalışma, Euripides’in tragedyalarındaki “barbar” imgesinin ideolojik ve edebi işlevini, Iphigeneia Tauris’te, Bakhalar, Hekabe ve Troialı Kadınlar örnekleri üzerinden incelemektedir.
Nilay Ediz Okur
doaj +1 more source
Alkestida 606–860. Kako je oče okrcal sina in Herakles izmodril strežaja (prevod Jera Ivanc)
Keria: Studia Latina et Graeca, 2008 ADMET Meščani, ki ste se prijazno zbrali, pozdravite, kot je navada, mrtvo na njeni zadnji poti! Vse je že pripravljeno, služabniki jo bodo odnesli in jo položili v grob.
Evripid Euripides
doaj +1 more source
Concepts of ecstasy in Euripides’ “Bacchanals” and their interpretation
Scripta Instituti Donneriani Aboensis, 1982 In dealing with ecstasy in antiquity, scholars usually refer to Euripides' "Bacchanals"' as one of the most reliable sources with regard to this phenomenon. This drama can also be supplemented by vase paintings, which to a great extent deal with motives
Lilian Portefaix
doaj +1 more source
Medéia - o silêncio ético de Aristóteles
Classica, Revista Brasileira de Estudos Clássicos, 1992 O presente ensaio faz uma análise de peça/personagem Medéia, de Eurípides, a partir da óptico/ética aristotélica. Se não fosse uma heroína trágica poderia ser Medéia, pelo menos, uma “pessoa ética”? Na Ética a Nicômaco, Eurípides é um dos pensadores mais
Maria Cecília de Miranda Nogueira Coelho
doaj +3 more sources
Litera: Dil, Edebiyat ve Kültür Araştırmaları DergisiMarina Carr’s Hecuba (2015), an adaptation of Euripides’s tragedy Hecuba (424 BC), resonates with Hamlet’s famous line “What is Hecuba to him, or he to her?” (Shakespeare, 1599/2003, 2.2.511) for the contemporary spectator by arousing pain and guilt ...
Ayşen Demir Kılıç
doaj +1 more source
Φιλία-theme and the structure of the Electra and Orestes scene in Euripides’ Orestes (vv. 211–315)
ШагиThe article analyzes the Orestes and Electra scene (vv. 211–315) which makes up the first episode of Euripides’ tragedy Orestes. The scene has a three-part composition, the integrity of which is created by the symmetrical arrangement of its parts and the
M. D. Balakireva
doaj +1 more source
Sofocle senza χλανίς: nota a un aneddoto comico-erudito
Erga-LogoiSophocles without his χλανίς: a note to a comic and scholarly anecdote This note examines the anecdote concerning Sophocles and the stealing of his cloak, which was told by the peripatetic Hieronymos of Rhodes.
Antonio Mura
doaj +1 more source
Ist Euripides Rationalist oder Irrationalist?
Literatūra (Vilnius), 1969 Euripides kritisierte die primitive griechische Religion und versuchte die Mythen und die Ereignisse der Natur und des menschlichen Lebens – soweit die Spezifik der antiken tragischen Dichtung es zuließ – natürlich, d. h.
Jonas Dumčius
doaj +1 more source
Racialised staff-patient relationships in inpatient mental health wards: a realist secondary qualitative analysis of patient experience data. [PDF]
BMJ Ment Health, 2023 Hua P +6 more
europepmc +1 more source