Results 11 to 20 of about 1,160 (172)
The Classical Quarterly, 1987 Whom did Telephus defend inTelephus? We know that he defended himself; fr. 710 proves that. It is widely, and I believe rightly, held that he defended the Trojans also; but this has been denied by some scholars, most recently by David Sansone in an article on the date of Herodotus' publication. In the first part of this paper I shall comment on Sansone'
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Erga-Logoi, 2015 This important fragment, whose textual reconstruction is extremely problematic, from Pacuvius’s Antiope could be hypothetically situated at the end of Amphion’s discourse in the agon with Zethus.
Luigi Galasso
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Métamorphoses du nom et jeux étymologiques hybrides chez Ovide: Ocyrhoé / Hippè (Métamorphoses, II, 630-675) [PDF]
Revue Roumaine d’Etudes Francophones, 2020 The metamorphosis of Ocyrhoe in Hippe is paradigmatic in Ovid’s thinking on hybridity in the Metamorphoses. The nymph, daughter of the centaur Chiron and endowed with the gift of prophecy, transforms herself into a mare after announcing the death
Cécile MARGELIDON
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Ancient Greek theater as a school for the city: why Socrates was not a theatergoer [PDF]
HypothekaiThe article explores the phenomenon of ancient Greek theater, portraying it as a unique space where an entire cityscape unfolded before the eyes of thousands of spectators.
Victoria
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Just Another Angry Woman: Adaptations of Female Rage through Euripides, Shakespeare, and Whedon [PDF]
Slayage, 2023 Euripides’ portrayal of Medea, Shakespeare’s dramatization of Queen Margaret, and Joss Whedon and company’s creation of Willow Rosenberg all work to depict the silencing of female emotion.
Pistone, Melissa
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The Consumer’s Right of Withdrawal in case of Payment with Bitcoins
Oslo Law Review, 2016 Bitcoin is the most important and well known form of digital currency. It is not produced or backed by any single entity. Its production takes place in a decentralised manner and its value derives only from the fact that there is a growing community that
Euripides Rizos
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Fear, Self-Pity, and War in Fifth-Century Athenian Tragedy: Ethos and Education in a Warrior Society [PDF]
Close Encounters in War Journal, 2021 In Greek culture, the natural connection between war and fear was acknowledged since Homer. However, during the Hellenic era (507-323 BC), war began to be represented on the stage in tragedies, in which the connection between war and fear included the ...
Maria Arpaia
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Mitul Electrei în reprezentări scenice / Electra’s Myth in Theatre Representations [PDF]
Incursiuni în imaginar, 2016 In time, Electra’s myth inspired many authors, resulting in remarkable literary works, adapting the “story” according to the patterns or the spirit of age.
Gabriela Chiciudean
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To the essence of Medea image in the eponymous tragedy by Euripides
Studia Humanitatis, 2022 The article is devoted to the analysis of Medea image in eponymous tragedy by Euripides. The authors conclude that the tragedy created the image of a woman with a tragic fate and a passionate nature. The heroine of the tragedy is not ready to put up with
Bragova Arina Mikhailovna +1 more
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Tragedy, Euripides, Melodrama: Hamartia, Medea, Liminality
Amaltea: Revista de Mitocrítica, 2013 Este artículo estudia las dimensiones sociohistóricas y las implicaciones culturales y teatrales del tratamiento que Eurípides da al mito de Medea. Eurípides da voz a las víctimas del aventurerismo, de las agresiones y de las traiciones cometidas en ...
Brian G. Caraher
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