Results 1 to 10 of about 23,592 (228)

Oresteia as transformative work [symposium]

Transformative Works and Cultures, 2016
Robert Icke's transformative adaptation of Aeschylus' Oresteia updates its themes and gives it a profound emotional urgency.
Tisha Turk
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Echoes of Longinus in Gregory of Nyssa [PDF]

, 1999
Gregory's stylistic criticisms of his opponent in Against Eunomius show the terminological influence of the Art of Rhetoric and Philological Discourses of the third-century critic Cassius Longinus.
Heath, M.
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Mercy at the Areopagus: A Nietzschean Account of Justice and Joy in the Eumenides [PDF]

, 2016
"This essay focuses on the third play in the Oresteia trilogy, the Eumenides. Telech provides a compelling reinterpretation of Nietzsche’s reading of Aeschylus's masterpiece, saving the reading from the complaint that it oversimplifies and ...
Telech, Daniel
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Aeschylus’ Amymone

Greek, Roman, and Byzantine Studies, 2003
[site under construction]
Dana Ferrin Sutton
doaj  

The democratical ideal and the Oresteia between 'Back to Basics' and cultural studies, between old and new historicism [PDF]

, 2004
A
Decreus, Freddy
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...Brevique Adnotatione Critica...: a preliminary history of the Oxford classical texts [PDF]

, 2007
On 3 July 1896, at one of the less regular meetings of the Delegates of Oxford University Press (OUP) held during the Long Vacation, approval was given to publication of the Oxford Classical Texts (OCT) series.
Whitaker, G.
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A Euripides quote in the prologue to The Knights (Eq. 14–20)

Шаги
This article deals with the distribution of dialogue lines between two slaves in the prologue of Aristophanes’ The Knights. There is no agreement among editors which slave utters the quote from Euripides’ Hippolytus (Eur. Hipp.
G. S. Belikov
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Electra Loves Asyndeton. A Survey on Asyndetic Series of Imperatives in Ancient Greek Drama. [PDF]

, 2017
Indagine ...
DE POLI, Mattia
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Fonctions du mythe chez Eschyle

Kentron, 2001
Aeschylus assigns three functions to Myth :1. Myth (muthos), “story”, “fable”, provides the subject and the characters ;2. Myth brings the world and time to the stage ;3. Myth infers gods and gives meaning.
Bernard Deforge
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Looks of Love and Loathing:Cultural Models of Vision and Emotion in Ancient Greek Culture [PDF]

, 2011
International audienceThis paper considers the intersection of cultural models of emotion, specifically love and envy, with folk and scientific models of vision in Greek antiquity.
Cairns, Douglas
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