Results 41 to 50 of about 4,751 (222)

Speaking Truth to Power: Understanding the Role of Political Theater in Russia

open access: yes
The Russian Review, Volume 85, Issue 2, Page 149-156, April 2026.
Katherine A. New
wiley   +1 more source

Meter Against Essentialism

open access: yesThe German Quarterly, Volume 97, Issue 4, Page 455-471, Fall 2024.
Abstract Recent scholarship on poetic materiality has found itself caught between celebration of the way rhythm might link language and the body, on the one hand, and critiques of the way such a link can lead and has led to various types of essentialism, on the other.
Hannah Vandegrift Eldridge
wiley   +1 more source

La Teichoskopia en Fenicias de Eurípides. La guerra vistas desde las murallas [PDF]

open access: yesTalia dixit, 2017
Euripides’ Phoenician Women includes a teichoskopia in which the dramatist partially reworked the shield scene in Aeschylus’ Seven Against Thebes.. Analyzing the teichoskopia in light of the Aeschylean scene allows one not only to understand its function
María del Carmen Encinas Reguero
doaj   +1 more source

Creating Onomastic Social Network Maps of Books Using Their Indexes. Case Study: ‘Papyrus: The Invention of Books in the Ancient World’

open access: yes
Learned Publishing, Volume 38, Issue 4, October 2025.
Rafael Repiso   +3 more
wiley   +1 more source

Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love

open access: yesOrbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.
Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
wiley   +1 more source

Refracted Truth and Multivalent Meaning in Aeschylus’ Agamemnon

open access: yesReligions
As the characters of Aeschylus’ Agamemnon grapple with the violence drowning the house of Atreus, the audience and reader encounter a tangle of contradictory interpretations. The playwright supplies no map for navigating these tortured paths.
Doug Clapp
doaj   +1 more source

Die Tragödie des Entscheidens / The Tragedy of Making Decisions [PDF]

open access: yesAncilla Iuris, 2007
Eine Anmerkung zu den “Eumeniden” des Aischylos. Die “Orestie” des Aischylos endet mit der Einsetzung des Areopags, des Gerichtshofes, der den Menschen zur Selbstverantwortung verhilft und aus den Rachegöttinnen “Wohlgesinnte”, Eumeniden, werden lässt.
Marie Theres Fögen
doaj  

Creativity in the Ancient Greek Philosophy: The Politics of Demiourgein

open access: yesThe Journal of Creative Behavior, Volume 58, Issue 2, Page 227-244, June 2024.
ABSTRACT Where does creativity come from and what is its purpose? The paper revisits these ever‐turning questions to correct the prevalent but, arguably, inaccurate historical interpretation of creativity as a concept that emerged in modernity. First, I substantiate that a close study of the ancient Greek texts suggests that although creativity seems ...
Brokalaki Zafeirenia
wiley   +1 more source

The Right and the Good in Aeschylus’ Oresteia and Yael Farber’s Molora:<br>Transitional Justice between Deontology and Teleology

open access: yesUtrecht Law Review, 2015
The antagonism between deontological and teleological conceptions of law can be felt throughout the field of law. It is particularly pressing, however, in the context of what is commonly referred to as ‘transitional justice’. Should the legal response to
Lukas van den Berge, Christiaan Caspers
doaj   +1 more source

Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy

open access: yesRenaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley   +1 more source

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