Results 41 to 50 of about 4,751 (222)
Speaking Truth to Power: Understanding the Role of Political Theater in Russia
The Russian Review, Volume 85, Issue 2, Page 149-156, April 2026.
Katherine A. New
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Abstract Recent scholarship on poetic materiality has found itself caught between celebration of the way rhythm might link language and the body, on the one hand, and critiques of the way such a link can lead and has led to various types of essentialism, on the other.
Hannah Vandegrift Eldridge
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La Teichoskopia en Fenicias de Eurípides. La guerra vistas desde las murallas [PDF]
Euripides’ Phoenician Women includes a teichoskopia in which the dramatist partially reworked the shield scene in Aeschylus’ Seven Against Thebes.. Analyzing the teichoskopia in light of the Aeschylean scene allows one not only to understand its function
María del Carmen Encinas Reguero
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Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love
Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
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Refracted Truth and Multivalent Meaning in Aeschylus’ Agamemnon
As the characters of Aeschylus’ Agamemnon grapple with the violence drowning the house of Atreus, the audience and reader encounter a tangle of contradictory interpretations. The playwright supplies no map for navigating these tortured paths.
Doug Clapp
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Die Tragödie des Entscheidens / The Tragedy of Making Decisions [PDF]
Eine Anmerkung zu den “Eumeniden” des Aischylos. Die “Orestie” des Aischylos endet mit der Einsetzung des Areopags, des Gerichtshofes, der den Menschen zur Selbstverantwortung verhilft und aus den Rachegöttinnen “Wohlgesinnte”, Eumeniden, werden lässt.
Marie Theres Fögen
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Creativity in the Ancient Greek Philosophy: The Politics of Demiourgein
ABSTRACT Where does creativity come from and what is its purpose? The paper revisits these ever‐turning questions to correct the prevalent but, arguably, inaccurate historical interpretation of creativity as a concept that emerged in modernity. First, I substantiate that a close study of the ancient Greek texts suggests that although creativity seems ...
Brokalaki Zafeirenia
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The antagonism between deontological and teleological conceptions of law can be felt throughout the field of law. It is particularly pressing, however, in the context of what is commonly referred to as ‘transitional justice’. Should the legal response to
Lukas van den Berge, Christiaan Caspers
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Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
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