Results 51 to 60 of about 420 (179)
Au nom du père : la malédiction paternelle en Grèce ancienne
From the poems of the Epic Cycle (Oedipodia, Thebaid) and the Greek tragedies (Aeschylus, Sophocles and Euripides), this article deals with the forms and the expression of the paternal curse in the Greek myths through the examples of Oedipus, Theseus and
Jean-Baptiste Bonnard
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Athény: velmoc a válka v Aischylově dramatu
Using the example of Aeschylus’ tragedies Persians, Agamemnon, and Eumenides, the author shows how a native Athenian and soldier worked with the theme of war.
Daneš, Jaroslav
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Greco-Persian wars: View from Persia
The aim of this paper is to examine some of the evidences, both Old-Persian and Greek ones, which can reflect Persian views on the Greco-Persian wars. The paper is based on the comparative analysis of the Persian epigraphic material and Greek literary ...
E.V. Rung, E.A. Venidiktova
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Reception of the values of the Aeschylus drama and mnemonic imprints by ancient tragedy spectators. [PDF]
Mastrothanasis K, Grammatas T.
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The Xenoi and Greeks between Opposition and ‘Hybridization’.
The paper examines the opposition between Greeks and the so-called Others (foreigners, barbarians, etc.) as represented in Aeschylus’ surviving plays. This antithesis has become a major focus of scholarly interest not only in philological studies, but ...
Stefano Amendola
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Sondheim and Weidman’s unintended trilogy
Critical Quarterly, Volume 66, Issue 4, Page 79-99, December 2024.
Kasia Boddy
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Iphigenia in Tauris enables us to examine the original way in which Euripides uses the myth of the Atreids and the history of the family curse to develop philosophical and religious ideas.
Christine Amiech
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Opportunities in Health Education in the Post-COVID-19 Era: Transforming Viral to Vital. [PDF]
Gerostathis A +4 more
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Divine and demonic necessity in the Oresteia
Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works with stern gravity and deep religiosity, so that a pervading piety is natural and there are no godless people. The archaic attitude of the poet appears not
Carl-Martin Edsman
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