Results 61 to 70 of about 4,751 (222)
Iphigenia in Tauris enables us to examine the original way in which Euripides uses the myth of the Atreids and the history of the family curse to develop philosophical and religious ideas.
Christine Amiech
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Divine and demonic necessity in the Oresteia
Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works with stern gravity and deep religiosity, so that a pervading piety is natural and there are no godless people. The archaic attitude of the poet appears not
Carl-Martin Edsman
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Opportunities in Health Education in the Post-COVID-19 Era: Transforming Viral to Vital. [PDF]
Gerostathis A +4 more
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AESCHYLUS’ PANDORA — HELEN IN THE AGAMEMNON
The myth of Pandora forges the identity of the Bad Wife, the Deathly Bride who brings calamity to the peaceful society of men. The construction of the first Woman who is also the first Bride and therefore the prototype for all Brides, contributes to the ...
A. Doyle
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The "Eumenides", the concluding drama in Aeschylus' sole surviving trilogy, the "Oresteia", is not only one of the most admired Greek tragedies, but also one of the most controversial and contested, both to specialist scholars and public intellectuals ...
Mitchell-Boyask, Robin.
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Cassandra's Swan Song: Aeschylus' Use of Fable in Agamemnon
Given Aeschylus’ other citations of fable, this passage, the earliest reference to the swan’s prophetic final song, probably derives from orally transmitted fable, later reflected in the Aesopic “The Swan and his Owner.”
John Philip Harris
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Blood and Revenge: Animal Metaphors and Nature in Macbeth and the Oresteia
Renowned classicist Gilbert Murray has made compelling arguments about the connection between Aeschylus and Shakespeare in his famous essay Hamlet and Orestes: A Study in Traditional Types.
Duluo Nie
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Rivalry in medicine and the wine business. [PDF]
McCann SR.
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This book, first published in 1949, has long been recognized as the standard work on Hesiod's influence on other Athenian poets, particularly Aeschylus.Cover -- Contents -- Foreword -- Preface -- PART ONE: HESIOD -- CHAPTER I.
Solmsen, Friedrich., Kirkwood, G. M.
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