Results 61 to 70 of about 420 (179)
AESCHYLUS’ PANDORA — HELEN IN THE AGAMEMNON
The myth of Pandora forges the identity of the Bad Wife, the Deathly Bride who brings calamity to the peaceful society of men. The construction of the first Woman who is also the first Bride and therefore the prototype for all Brides, contributes to the ...
A. Doyle
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Rivalry in medicine and the wine business. [PDF]
McCann SR.
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Cassandra's Swan Song: Aeschylus' Use of Fable in Agamemnon
Given Aeschylus’ other citations of fable, this passage, the earliest reference to the swan’s prophetic final song, probably derives from orally transmitted fable, later reflected in the Aesopic “The Swan and his Owner.”
John Philip Harris
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Prometheus Bound and Contemporary Trends in Greek Natural Philosophy
Aeschylus evokes, sometimes literally and sometimes metaphorically, the elements and their interactions in ways that show his knowledge of the ideas of Parmenides and Empedocles.
Georgia L. Irby-Massie
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Blood and Revenge: Animal Metaphors and Nature in Macbeth and the Oresteia
Renowned classicist Gilbert Murray has made compelling arguments about the connection between Aeschylus and Shakespeare in his famous essay Hamlet and Orestes: A Study in Traditional Types.
Duluo Nie
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Aeschylus, Agamemnon 1478–1480
Reasons of both palaeography and dramatic sense support reading κείρει, “devours,” in Ag. 1479.
Miryam Librán Moreno
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What's Wrong with Democracy? The Peculiar Power of Kratos. [PDF]
McGuire J.
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COVID19 - Why open and honest public dialogue is needed. [PDF]
Lee A, Morling JR, Bhopal RS.
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In Aeschylus' trilogy the several recognizable allusions to the Eleusinian Mysteries, invoking the initiate's sudden passage from dark to light, serve to underscore ironically the larger theme of the corruption of ritual.
Marcel Widzisz
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