Results 61 to 70 of about 23,592 (228)
Refracted Truth and Multivalent Meaning in Aeschylus’ Agamemnon
ReligionsAs the characters of Aeschylus’ Agamemnon grapple with the violence drowning the house of Atreus, the audience and reader encounter a tangle of contradictory interpretations. The playwright supplies no map for navigating these tortured paths.
Doug Clapp
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, 2016 The modern reader may encounter the Greek text of Euripides' surviving plays in many forms: in print either in complete editions or in separate editions of single plays published with translations or commentaries or both, and in digital form at well ...
Bousquet +33 more
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Creativity in the Ancient Greek Philosophy: The Politics of Demiourgein
The Journal of Creative Behavior, Volume 58, Issue 2, Page 227-244, June 2024.ABSTRACT Where does creativity come from and what is its purpose? The paper revisits these ever‐turning questions to correct the prevalent but, arguably, inaccurate historical interpretation of creativity as a concept that emerged in modernity. First, I substantiate that a close study of the ancient Greek texts suggests that although creativity seems ...
Brokalaki Zafeirenia
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Die Tragödie des Entscheidens / The Tragedy of Making Decisions [PDF]
Ancilla Iuris, 2007 Eine Anmerkung zu den “Eumeniden” des Aischylos. Die “Orestie” des Aischylos endet mit der Einsetzung des Areopags, des Gerichtshofes, der den Menschen zur Selbstverantwortung verhilft und aus den Rachegöttinnen “Wohlgesinnte”, Eumeniden, werden lässt.
Marie Theres Fögen
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Utrecht Law Review, 2015 The antagonism between deontological and teleological conceptions of law can be felt throughout the field of law. It is particularly pressing, however, in the context of what is commonly referred to as ‘transitional justice’. Should the legal response to
Lukas van den Berge, Christiaan Caspers
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The Language of the cybersouls [PDF]
, 2002 Debates about technology are mostly staged in a grand setting: presented as the sinister toolkit of authoritarian organisations, or as the progressive fabric of the future.
Monk, John
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Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy
Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
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?????? ???? ?????? ????` ??????????: An Homeric Device in Greek Literature [PDF]
, 1979 published or submitted for ...
Wilson, John R.
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Journal of the Association for Information Science and Technology, Volume 75, Issue 4, Page 469-482, April 2024.Abstract In this article, I explore the relationships between how humans have evolved to interact with the material world and how we interact with our information worlds. I argue that shaping processes, exemplified by how early humans created stone tools, are core ways to interact with the world that are appropriated to interact with information to ...
Ian Ruthven
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Faber/Vates. Historische en mythologische modellen voor de kunstenaarsrol in de oudheid [PDF]
, 2009 What do we mean when we call someone an ‘artist’? There’s something about the word that eludes definition. For besides the skills of a craftsman (faber, in Latin), the artist is supposed to possess a certain indefinable, privileged insight or inspiration
Sels, Nadia
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