Results 81 to 90 of about 23,592 (228)
Aeschylus and the poetics of divination
O Que Nos Faz Pensar, 2018 The main purpose of this paper is to show in general lines how divination is a key element in the construction of dramatic strategies in Aeschylus’ seven surviving plays, due to the fact that divination informs and defines both the singularity of the ...
Beatriz de Paoli
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Opportunities in Health Education in the Post-COVID-19 Era: Transforming Viral to Vital. [PDF]
Cureus, 2022 Gerostathis A +4 more
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L'Absolució d'Orestes i l'angoixa de l'espectador [PDF]
, 2015 The trial scene in the Eumenides of Aeschylus has been interpreted as a notorious example of tragic ambiguity, where beside the joy remains the ancestral anguish.
Garriga, Carles
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To Overhear The Secret of The Poet… Aeschylus and Aeschylean Reminiscences in The Works of Jan Kasprowicz [PDF]
, 2016 Jan Kasprowicz, lived in 1860–1926, whose fame and glory is nowadays in the shadow, in his time was considered one of the greatest and most important Polish poets and authors.
Bibik, Barbara
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Pallas, 2019 Iphigenia in Tauris enables us to examine the original way in which Euripides uses the myth of the Atreids and the history of the family curse to develop philosophical and religious ideas.
Christine Amiech
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Myrsilus of Methymna and the Dreadful Smell of the Lemnian Women [PDF]
, 1990 published or submitted for ...
Jackson, Steven
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Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment when Staging the Rites of the Past [PDF]
, 2016 Eva Palmer-Sikelianos (1874–1952), along with her husband, the poet Angehlos Sikelianos, founded the first modern Delphic Festival in 1927 in an effort to revive the Ancient Greek rites that took place on that spot over 2,500 years before.
Samuel Dorf
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Divine and demonic necessity in the Oresteia
Scripta Instituti Donneriani Aboensis, 1967 Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works with stern gravity and deep religiosity, so that a pervading piety is natural and there are no godless people. The archaic attitude of the poet appears not
Carl-Martin Edsman
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Hippolytus\u2019 Songs and Musical Innovations in the Attic Tragedy. [PDF]
, 2017 Hippolytus’ songs show that, even when taking from Aeschylus or Sophocles, Euripides is always attempting innovative solutions. This play belongs to an initial stage of the Euripidean work, but it probably marks the starting point in the evolution of his
DE POLI, Mattia
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Rivalry in medicine and the wine business. [PDF]
Bone Marrow Transplant, 2021 McCann SR.
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