Results 101 to 110 of about 23,592 (228)
Aristophanes and his rivals [PDF]
, 1990 This paper provides an introduction to the work of Aristophanes’ main rivals, especially Cratinus and ...
Heath, M.
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COVID19 - Why open and honest public dialogue is needed. [PDF]
Public Health, 2020 Lee A, Morling JR, Bhopal RS.
europepmc +1 more source
Linguistic Colonialism in Aeschylus’ Aetnaeae
Greek, Roman, and Byzantine Studies, 2005 [site under construction]
Carol Dougherty
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Aeschylus in Action: Translating the University Stage [PDF]
, 2009 The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)This paper will compare and analyse several key translations and adaptations of Aeschylus’ tragedies in order to demonstrate the "creativity" present in the rewrites ...
Rainsberg, Bethany
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Greek, Roman, and Byzantine Studies, 2010 In Aeschylus' trilogy the several recognizable allusions to the Eleusinian Mysteries, invoking the initiate's sudden passage from dark to light, serve to underscore ironically the larger theme of the corruption of ritual.
Marcel Widzisz
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COVID-19 the showdown for mass casualty preparedness and management: the Cassandra Syndrome. [PDF]
World J Emerg Surg, 2020 Coccolini F +26 more
europepmc +1 more source
Folktales of International Justice [PDF]
, 2004 When Laura Dickinson asked me to participate on this panel, she very nicely said that she hoped I could bring a different perspective to the discussion. I thought I knew what she meant.
Luban, David
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Curse and Dream in Aeschylus’ Septem
Greek, Roman, and Byzantine Studies, 2003 [site under construction]
Anne Burnett
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Tracking the Odyssey’s Plot through Dawn\u27s Epithets [PDF]
, 2013 The three formulaic sunrises in Homer’s Odyssey share several characteristics. Particularly significant is the use of metrically similar epithets: rhododaktulos and xrusothronos, often translated “rose-fingered” and “golden-throned.” Previous scholarly ...
Hartwick, Kerry
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Muses of Lesbos or (Aeschylean) Muses of Pieria? Orpheus’ Head on a Fifth-century Hydria
Greek, Roman, and Byzantine Studies, 2013 A hydria of ca. 440 B.C. which shows the Muses celebrating the inaugural consultation of Orpheus’ oracular head does not depict the Lesbian tradition about the head but one originally based in Pieria or Thrace and adopted by Aeschylus in his Bassarai.
Sarah Burges Watson
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