Results 21 to 30 of about 23,592 (228)
Euripides and the Origins of Democratic «Anarchia»
In this essay, I argue that the terms anarchia and anarchos had become associated with critiques of democracy before the final quarter of the fifth century BCE.
Jonah F. Radding
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The Work of Tragic Productions: Towards a New History of Drama as Labor Culture [PDF]
Preliminary analysis of the representation of laborers in Greek tragedy and satyr ...
David Roselli
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Nietzsche on the good of cultural change
Abstract This paper attributes to Nietzsche a theory of cultural development according to which pyramid societies—steeply hierarchical societies following a unified morality—systematically alternate with motley societies, which emerge when pyramid societies encounter other cultures or allow their strict mores to relax. Motley societies contain multiple
Rachel Cristy
wiley +1 more source
One‐Sidedness and the Inferior Function in Coriolanus and Timon of Athens [PDF]
Abstract For both Jung and Shakespeare, one‐sidedness is the fundamental tragic trait. Jung proposed that as an individual develops, they inevitably associate their identity with certain modes of perception and interaction, and that this leads to psychological polarization.
Sofie Qwarnström
europepmc +2 more sources
If it is language that speaks, what do speakers do? Confronting Heidegger's language ontology
Abstract Many of Heidegger’s statements about language should sound familiar to linguistic anthropologists, starting with the pragmatic‐indexical functions of speaking (in Sein und Zeit) and continuing, in later years, with something resembling linguistic relativity.
Alessandro Duranti
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Mantica della madre, profeta del padre
This paper aims to discuss the genealogical contents and structure of the opening verses of Aeschylus’ Eumenides. Considering genealogies as mythical digressions ideologically orientated, I will outline those elements that do not appear elsewhere in ...
Wyburgh, Sonny
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The Birth of Tragedy in the Cinquecento: Humanism and Literary History [PDF]
Humanist literary historians treated Aristotle’s ‘Poetics’ in a distinctive way: as a historical source. How had the Greek tragedy arisen, what was its relation to the comedy, and how was it performed?
Haugen, Kristine Louise
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Technai e prerogative divine sulla scena del teatro di Eschilo*
The paper investigates so-called technai in Aeschylus’ works, particularly with regard to the role attributed to the Gods as primary, if not unique actors and discoverers of technical knowledge.
Franco Giorgianni
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Sommerstein. Aeschylus, Suppliants
Review of Aeschylus (2019). Suppliants. Edited by Alan H. Sommerstein. Cambridge: Cambridge University Press, 404 pp.
Garvie, Alex F.
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Political Comedy in Aristophanes [PDF]
This paper argues that Aristophanic comedy, although it takes contemporary political life as its point of departure, is not political in the sense of aiming to influence politics outside the theatre.
Heath, M.
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