Results 21 to 30 of about 4,751 (222)
Representation and novelty in Aeschylus' Theoroi
, 2019 This article argues in favour of the view that in Aeschylus' Theoroi (aka Isthmiastai) the satyrs had absconded from Dionysus’ choral training, and dedicate a set of votive masks on Poseidon’s Isthmian temple. I propose that at the end of fr.
Thomas, Oliver
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Organizational Soundscapes and the Sonicity of Voices: The Power of the ‘Sounds’ that Carry ‘Words’
Journal of Management Studies, EarlyView.Abstract Organizations are soundscapes – they resonate with sounds and particularly the sounds of voices. Somehow however voice sonics, that is the sounds of voices and not the words carried on those sounds, have escaped attention in management studies. This absence of analysis is peculiar given voice sonics' undoubted influence on management (they may
Nancy Harding, Jackie Ford
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The influence of myth on the fifth-century audience’s understanding and appreciation of the tragedies of Aeschylus [PDF]
, 1991 This thesis seeks to establish how the fifth-century audience’s perception of Aeschylean tragedy was influenced by their prior knowledge of the myths on which the dramas were based. Thus we study references to these myths in earlier epic and
Hodgkison, S, Hodgkison, Sue
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Lexis, 2020 This paper attempts a reconstruction of Aeschylus’ satyr-play Heralds. As the myth of Erginus’ heralds and their mutilation by Heracles is shown to be unconvincing on many grounds, it explores the possibility that the satyrs turned up or out as ...
Poli Palladini, Letizia
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Minor epic: Notes toward a different “Anthropoetry”
Anthropology and Humanism, Volume 51, Issue 1, June 2026.Abstract Anthropologists have often turned to poetry as a means of accessing emotional registers of which conventional academic prose is unable to avail. In doing so, they have tacitly conflated poetry with lyric poetry, today probably the most widely practiced poetic genre, associated in particular with the expression of inner feelings and subjectival
Stuart McLean
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Aeschylus’ Agamemnon on BBC radio, 1946-1976
, 2005 This article, the first academic discussion of Greek tragedy on BBC Radio, offers a historical outline of the production of Aeschylus’ Oresteia plays from the inaugural Greek tragedy on the Third Programme in 1946 to a landmark experimental production on
Wrigley, A., Wrigley, Amanda
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Pallas, 2018 This paper investigates how the Chorus of Aeschylus’ Eumenides has been revived on the stage to address modern socio-political issues. First, I focus on Sartre’s The Flies, created in Paris in 1943 during the German occupation.
Daria Francobandiera
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Oresteia as transformative work [symposium]
Transformative Works and Cultures, 2016 Robert Icke's transformative adaptation of Aeschylus' Oresteia updates its themes and gives it a profound emotional urgency.
Tisha Turk
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Histories of Untranslatability in South Asia: Historiography, Debates, and Problems, 1980–2010
History Compass, Volume 23, Issue 7-9, July-September 2025.ABSTRACT Untranslatability is not a separate field of study in history; rather, it is a conceptual lens that captures the concerns of certain strands of scholarship which have tended to somewhat problematize connections, translations, and mediation across imperial and colonial divides.
Vipin Krishna
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