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The native as image: art history, nationalism, and decolonizing aesthetics
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Aesthetics, Ethnicity, and the History of Art
The Art Bulletin, 1996Part of a symposium providing a range of critical perspectives on aesthetics, ethnicity, and the history of art. The writer examines how two etchings of the Regensburg synagogue by Albrecht Altdorfer both encode a history of Christian-Jewish ethnic conflict and foreclose on it through the image of “disappearing” Jews. She contends that the etchings can
Kathleen Biddick +4 more
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Art History, Natural History and the Aesthetic Interpretation of Nature
Environmental Values, 2020This paper examines Allen Carlson's influential view that knowledge from natural science offers the best (and perhaps only) framework for aesthetically appreciating nature for what it is in itself. Carlson argues that knowledge from the natural sciences can play a role analogous to the role of art-historical knowledge in our experience of art by ...
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INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS
SWS International Scientific Conferences on ART and HUMANITIES - ISCAH, 2022The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the Theory of Environment and Conception of Organotropism from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of ...
Ibraim Didmanidze, Irma Bagrationi
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Daumier and Art History: Aesthetic Judgement/Political Judgement
Oxford Art Journal, 1988It is generally accepted that Daumier's work played a directly political role - or was intended to do so. Those who believe that in the final analysis the aesthetic realm is irreducible, following laws which stand outside history, find justification in the fact that Daumier still enjoys a certain public appeal, long after the political struggles which ...
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Reanimating the Renaissance: Aesthetes and Art History, 1873-1914
2023This thesis examines responses to the Italian Renaissance by aesthetes in the late nineteenth and early twentieth century. It argues that aesthetes ‘reanimated’ the renaissance across diverse genres and media by negotiating the boundaries between art and life.
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Art History, Aesthetics and Art Criticism
2012The ongoing, lively discussion about the troubled relationships and productive tensions between art history, aesthetics, art criticism, and visual studies shows that the ideal integration suggested by Mitchell in the passage quoted above has not taken place, and that the status of such research fields in relation to one another is still open, unsettled
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Aesthetics and Art History Writing in Comparative Historical Perspective
Arethusa, 2010This paper explores the similarities and differences between ancient and modern practices of art appreciation and art history writing in their institutional and cultural contexts. It traces how classical antique practices and concepts of art history and criticism were transformed from the Italian Renaissance to the 18th century.
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Contemporary Chinese Thought, 2016
Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context.
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Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context.
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Feminist Inquiry in Art History, Art Criticism, and Aesthetics: An Overview for Art Education
Studies in Art Education, 1990Feminist research in the disciplines of art history, art criticism, and aesthetics has challenged the canon of each of these disciplines and the understanding of art which they collectively produce. This paper traces major directions of feminist scholarship in these disciplines and draws implications for art education.
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