The phoenix of phonaesthetics: the rise of an old-new research paradigm on the beauty of language sound. [PDF]
Nemestothy L, Kogan VV, Reiterer SM.
europepmc +1 more source
Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley +1 more source
From Mary Shelley to Netflix: a Pan-European perspective on public communication of neuroscience and neurotechnology. [PDF]
Gallar Martínez ÁC +1 more
europepmc +1 more source
A new Anthropocene aesthetics: Mediating Harman, Morton, and Boysen
Abstract Practitioners of Object‐Oriented Ontology (OOO) have critiqued the metaphysical assumptions of contemporary poetry, and particularly the position of the lyric speaker. Scholars such as Graham Harman and Timothy Morton have positioned themselves as critics of these lyric sensibilities. In recent years, concerns have risen around their critiques
Chase Cate
wiley +1 more source
How Good Is the Machine at the Imitation Game? On Stylistic Characteristics of AI-Generated Images. [PDF]
Deliège A +3 more
europepmc +1 more source
Speaking for Dionysus: Empathy and choral advocacy in Aristotle and Nietzsche
Abstract This essay argues for an abiding connection between empathy and advocacy by revealing their unrecognized parallels in Aristotle and Nietzsche. The argument makes three new claims. First, I identify an ancient form of sharing emotions, unnamed in but fundamental to Aristotle's Rhetoric, that I call “empathy by analogy.” Next, I show that the ...
Ellwood Wiggins
wiley +1 more source
The impact and transformation evaluation of art intervention in public space on ancient villages: a case study of Tengchong, Yunnan Province. [PDF]
Wu P, Li X, Feng Y, Liu Y.
europepmc +1 more source
Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
The predictive embodied mind: a case-based encounter with film aesthetics. [PDF]
Coëgnarts M.
europepmc +1 more source

