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In this paper aesthetic experience is defined as an experience qualitatively different from everyday experience and similar to other exceptional states of mind.
Slobodan Marković
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Aesthetic Experience, Aesthetic Value
This paper offers a critical analysis of Robert Stecker’s account of aesthetic experience and its relation to aesthetic and artistic values. The analysis will demonstrate that Stecker’s formulation of aesthetic experience as it stands is incompatible ...
Jane Forsey
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Timing the Aesthetic Experience
Even if we accept the arguments of those who argue against the very notion of “aesthetic experience”, there is still some latitude for questioning how the experience of artworks can affect or be affected by the duration of that experience.
Vitor Moura
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Aesthetic experience models human learning [PDF]
Aesthetic experiences have the potential to promote learning and creativity by enhancing the ability to understand complexity and to integrate novel or disparate information.
G. Gabrielle Starr
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Aesthetic Experience in the Concepts of R. Ingarden, V. Schapp and K. Stavenhagen
The article summarizes the views of representatives of the phenomenological aesthetics of the twentieth century and the most famous students of Husserl.
Evgeniy A. Popov
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A volitional account of aesthetic experience [PDF]
Robert R McCrae
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It is not uncommon for art historians and philosophers of art to deride the kinds of aesthetic experiences tourists seek out by characterizing them as bowing to the will of the herd, succumbing to peer pressure, or simply seeking out what is popular. Two
Michel-Antoine Xhignesse
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To What Does the Word 'Beauty' Refer?
Beauty is a particular kind of aesthetic experience. Aesthetic experience can be divided into various categories according to the kind of aesthetic property (beautiful, sublime, elegant, cool, profound, etc.) that is attributed to the object.
James Kirwan
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On Some Epistemological Advantages of the Notion of “Intervenient Aesthetic Field”
The reality of the aesthetic seems to manifest itself more and more in relational and immersive ways that defy analyses that follow the trail of the modern tradition of philosophy, based on the dual gnoseological relationship between subject and object ...
Giovanni Matteucci
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