Results 11 to 20 of about 585,875 (300)
In this paper aesthetic experience is defined as an experience qualitatively different from everyday experience and similar to other exceptional states of mind.
Slobodan Marković
doaj +4 more sources
Timing the Aesthetic Experience
Even if we accept the arguments of those who argue against the very notion of “aesthetic experience”, there is still some latitude for questioning how the experience of artworks can affect or be affected by the duration of that experience.
Vitor Moura
doaj +3 more sources
This essay provides an overview of the ways in which contemporary philosophers have tried to make sense of ineffability as encountered in aesthetic contexts.
Jonas, Silvia
core +1 more source
Determinants of impact : towards a better understanding of encounters with the arts [PDF]
The article argues that current methods for assessing the impact of the arts are largely based on a fragmented and incomplete understanding of the cognitive, psychological and socio-cultural dynamics that govern the aesthetic experience.
Abercrombie N. +86 more
core +1 more source
Aesthetic experiences have been distinguished from other experiences based on an aesthetic mode of processing that often entails concentrating working memory resources on the aesthetic stimulus.
Rosalie Weigand, Thomas Jacobsen
doaj +1 more source
Aesthetic Judging as Interface: Getting to Know What You Experience
One of the aims of Aesthetics is to understand aesthetic experience, that of our own and that of others. Yet, the underlying question of how we can get information about other people’s aesthetic experience has not been granted enough attention.
Onerva Kiianlinna, Joonas Kurjenmiekka
doaj
Ethical issues of experience-oriented aesthetic education
Introduction: Traditional aesthetic education has focused on appreciating art and cultivating refined taste, relying primarily on classical aesthetic theories and canonical works.
Alicja Lisiecka, Anna Maria Passaseo
doaj +1 more source
The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, via Schiller and Nietzsche [PDF]
I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller.
Lichtenstein, Eli I.
core +3 more sources
Aesthetic Comprehension of Abstract and Emotion Concepts: Kant’s Aesthetics Renewed [PDF]
In § 49 of the Critique of the Power of Judgment Kant puts forward a view that the feeling of pleasure in the experience of the beautiful can be stimulated not merely by perceptual properties, but by ideas and thoughts as well.
Küplen, Mojca
core +2 more sources

