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Aesthetic Judging as Interface: Getting to Know What You Experience
One of the aims of Aesthetics is to understand aesthetic experience, that of our own and that of others. Yet, the underlying question of how we can get information about other people’s aesthetic experience has not been granted enough attention.
Onerva Kiianlinna, Joonas Kurjenmiekka
doaj
The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, via Schiller and Nietzsche [PDF]
I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller.
Lichtenstein, Eli I.
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Ethical issues of experience-oriented aesthetic education
Introduction: Traditional aesthetic education has focused on appreciating art and cultivating refined taste, relying primarily on classical aesthetic theories and canonical works.
Alicja Lisiecka, Anna Maria Passaseo
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The Place of Action in the Landscape of Aesthetic Experience
Advocates of ordinary aesthetics argue that aesthetic experiences found in everyday life can have an impact on our ethical being. This raises the question of how, specifically, action arises from aesthetic experience.
Charles David R.
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Aesthetic Comprehension of Abstract and Emotion Concepts: Kant’s Aesthetics Renewed [PDF]
In § 49 of the Critique of the Power of Judgment Kant puts forward a view that the feeling of pleasure in the experience of the beautiful can be stimulated not merely by perceptual properties, but by ideas and thoughts as well.
Küplen, Mojca
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Aesthetic experience in education [PDF]
This study answers the following question : What does the aesthetical experience concept mean in the context of the concept xperience? And what is its educational role?
Munir Sirhan
doaj
Being a book on art and its nature, Strange Tools deals with aesthetic experience as a crucial object of inquiry. Indeed, it offers several interesting insights into what aesthetic experience is and how we should (or should not) account for it.
Francesca Forlè
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Art as Complement of Philosophy
Art and aesthetic experience, as well as the nature of depiction, representations and images, are crucial topics in the ongoing multifaceted debate at the interface between philosophy of perception, aesthetics, philosophy of mind and neuroscience.
Elisabetta Sacchi, Francesca Forlè
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Virtual Reality and Aesthetic Experience
The problem of aesthetic experience in a virtual environment could be reformulated as: what can we learn about aesthetics from the perspective of ‘aesthetic experience in virtual environments’, given the specific nature of such an environment?
Roberto Diodato
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The butterfly unfolded wing in an open form structure of botulinum neurotoxin type A (BoNT/A) at physiological‐state was confirmed at 2.85 Å resolution by cryo‐electron microscopy (cryo‐EM). Structure‐guided protein engineering significantly enhanced the receptor‐binding affinity, therapeutic efficacy, and safety of the engineered toxin variants ...
Wenrui Wang +16 more
wiley +1 more source

